University of Louisville University Libraries

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  • Description: Fluxus
(4 results)



Display: 20

    • European Mail-Order Warehouse/Fluxshop.

    • European Mail-Order Warehouse/Fluxshop.

    • Photographs; Montages; Promotional materials; Sales catalogs; Publicity; Publicity photographs; Advertisements; Advertising; Mail-order businesses; Business enterprises; Business & finance; Commerce; Art objects; Women; Hairstyles; Sitting;...

    • Originally arranged for photograph and reassembled 1984 by Jon Hendricks as installation, Contemporary Arts Museum, Houston, Texas; "This is an installation which closely follows a promotional photographic montage for de Ridder's distribution...
    • Vagina Painting.

    • Vagina Painting.

    • Performance art; Performances; Women; Artists; Painting; Brooms & brushes; Blood; Bodily functions; Anatomy; Genitals; Human body

    • "Retrospectively this performance reads as a proto-feminist riposte to Yves Klein's usurpation of the female 'trace' of five years earlier [Anthropometries of the Blue Age, performance, 9 March 1960]." (Caption, p.105); "[…] Fluxus...
    • Scratching Both Walls at Once, film still.

    • Scratching Both Walls at Once, film still.

    • Performance art; Video recording; Motion pictures; Film stills; Myths; Fairy tales; Allusions; Artificial limbs; Artists; Women; Hairstyles; Posing; Interiors; Rooms & spaces; Architectural elements; Walls; Windows

    • Film still from recorded performance. "Rebecca Horn's early performances involved her strapping surreal prostheses to her body or wearing elaborate costumes. The allusions to fairy tale and myth were unmistakable but rarely specific. Since...
    • Au Naturel.

    • Au Naturel.

    • Sculpture; Mixed media; Puns (Visual works); Sex; Couples; Relations between the sexes; Human body; Body parts; Anatomy; Genitals; Pails; Containers; Fruit; Melons; Food; Citrus fruit; Oranges; Cucumbers; Vegetables

    • "Lucas grew up in a working-class environment in East London and uses its idioms in her work. To some extent she has also borrowed from the American art that she saw in the late 1980s in London's Saatchi Gallery. Her 'grungy' abject imagery...
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