The aim of this thesis is to show that there is found in this "noblest of comic masterpieces" an absorbing study of mankind and a profound knowledge of the human heart. It is In his work that man gives himself to the world; in his...
Three-quarter length portrait of performer Sarah Cowell Le Moyne (also known as Mrs. Le Moyne) wearing a large hat with ostrich plume and a fur stole and muff. She performed in "The Two Orphans" at Macauley's Theatre in November 1904,...
Three-quarter length character portrait of performer Sarah Cowell Le Moyne (also known as Mrs. Le Moyne) seated, with right arm leaning on table, wearing a regal gown. She is in costume for the role of The Queen in "In a Balcony," by...
The fundamental question of the exact nature of the role played by TNF in the failing myocardium remains one of contention. Many preclinical studies have demonstrated beneficial effects with TNF antagonism and recently the dichotomous role played...
Portrait of performer Sarah Cowell Le Moyne (also known as Mrs. Le Moyne) wearing a large hat with ostrich plume and a fur stole. She performed in "The Two Orphans" at Macauley's Theatre in November 1904, likely the occasion of the...
From caption: C'est le chapeau qui fait l'homme / collage; from the MOMA website (http://www.moma.org) (11-2011): The Hat Makes the Man / Max Ernst (French, born Germany. 1891-1976) (1920). Gouache, pencil, oil, and ink on cut-and-pasted printed...
Full-length character portrait of performer Louise Le Baron, possibly in costume for a role in "Robin Hood," in which she performed on December 30, 1912 - January 1, 1913 at Macauley's Theatre. She stands with left hand on her hip,...
Portrait of performer Louise Le Baron wearing a white dress. She performed in "Robin Hood" at Macauley's Theatre on December 30, 1912 - January 1, 1913. Inscription on print, lower center: To Colonel Macauley with my sincere regards....
Map of the Northern Hemisphere, including the Americas, "Mer du Sud," "Mer du Nord," western Europe, western Africa and eastern Asia, which shows major rivers and ports plus explorers' navigational routes. Illustrations include...
At least three railroad cars in front of a set of white buildings. A faint outline of a mountain is visible in the background. Four men stand next to the train, with a fence on the other side, and at least one man stands at the back of the engine...
Theaters; Motion picture theaters; Cultural facilities; Interiors; Motion picture posters
The entryway of Le Rose Theatre includes a carpet with an L and an R intertwined which sits in front of a set of double doors. On the far wall is a combination mirror and poster display. The poster reads, "Richard Dix, The Gay Defender, a...
Theaters; Motion picture theaters; Cultural facilities; Interiors
The interior of Le Rose Theatre includes an aisle between a front and back section of seating as well as aisles dividing the front seating into three sections. The movie screen is framed by arched windows on either side. Short windows at the tops...
Three-quarter length character portrait of actress Florence Rockwell in costume including long dress and coat and hat with ostrich plumes. The inscription indicates that Rockwell was touring with Mrs. Le Moyne (also known as Sarah Cowell Le Moyne)....
Horses grazing at Le War Stock Farms in Lexington, Kentucky. Nine horses graze on grass or tree bark. A low fence encircles the grazing field at a road, with more fields on the other side and then a house and trees.
"Man Ray's most famous photograph, Le Violon d'Ingres, combines Dada wordplay with Surrealist imagery. The nude recalls the odalisques of Ingres, while the title refers to Ingres's hobby - playing the violin (which led to the French phrase...
Painting destroyed during the London blitz (photograph shows the artist, 1938, [and Fantomas, a character in the early twentieth-century pulp fiction novels by Pierre Souvestre and Marcel Allain.]). The Savage (Le barbare): c. 1928.
Woodcut illustration for "Le Livre des Masques, Portraits Symbolistes" by Remy de Gourmont, Mercure de France, Paris, 1896-1898. Published in Le Figaro, Paris, 18 September 1886.
