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  • Description: London's
(8 results)



Display: 20

    • 20/50.

    • 20/50.

    • Architecture; Sculpture; Rooms & spaces; Architectural elements; Windows; Reflections; Industrialization; Industrial facilities; Industry; Deterioration; Building deterioration

    • Installation: used sump oil, steel; "The oil uncannily mirrors the ceiling of the gallery, leaving the spectator, figuratively speaking, in mid-air. Although currently installed in the Saatchi Gallery, the work was originally located in Matt's...
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
    • Au Naturel.

    • Au Naturel.

    • Sculpture; Mixed media; Puns (Visual works); Sex; Couples; Relations between the sexes; Human body; Body parts; Anatomy; Genitals; Pails; Containers; Fruit; Melons; Food; Citrus fruit; Oranges; Cucumbers; Vegetables

    • "Lucas grew up in a working-class environment in East London and uses its idioms in her work. To some extent she has also borrowed from the American art that she saw in the late 1980s in London's Saatchi Gallery. Her 'grungy' abject imagery...
    • Talking.

    • Talking.

    • Paintings; Oil paintings; Arms (Anatomy); Hands; Fingers; Body parts; Clocks & watches; Cigarettes; Smoking; Smoke; Worry

    • "As in certain paintings by Francis Bacon, existential givens were made stubbornly palpable in Guston's pictures. Recurrent images such as a head with a single wide-open eye, wrist-watches, bare light-bulbs, or cigarette butts spoke of bouts...
    • Head of a Man.

    • Head of a Man.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • Head of a Man, detail.

    • Head of a Man, detail.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism; Details

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Loop My Loop.

    • Loop My Loop.

    • Sculpture; Photographs; Mixed media; Allusions; Symbols; Hair; Body parts; Animals

    • "In the decade before her premature death in 1996, Chadwick developed an iconography which has links with the thought of Georges Bataille […] In Nostalgie de la Boue (1990) two rounded cibachrome transparencies were hung one above the other....
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