University of Louisville University Libraries

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  • Description: Mona
(4 results)



Display: 20

    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • Reproductions; Paintings; Oil paintings; Portrait paintings; Portraits; Women; Clothing & dress; Hairstyles; Beards; Mustaches; Veils; Headgear; Posing; Smiling; Landscapes (Representations); Puns (Visual works); Language; Inscriptions;...

    • Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil; "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
    • L.H.O.O.Q., replica, from "Boite-en-Valise, image only.

    • L.H.O.O.Q., replica, from "Boite-en-Valise, image only.

    • Reproductions; Paintings; Oil paintings; Portrait paintings; Portraits; Women; Clothing & dress; Hairstyles; Beards; Mustaches; Veils; Headgear; Posing; Smiling; Landscapes (Representations); Puns (Visual works); Language; Artists' signatures

    • Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil. "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
    • Mona Eames, circa 1901.

    • Mona Eames, circa 1901.

    • Portraits; Portrait photographs; Actresses; Women

    • Horizontal oval-shaped portrait of Mona Eames, who performed in "The Burgomaster" at Macauley's Theatre in February 1902, baring her shoulders. Inscription on print: To Mr. Macauley most cordially Mona Eames Burgomaster Co. 1901-1902....
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
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