Map of North and Central America, with hand-colored borders outlining land claimed by France, England and Spain, shows mountain ranges, bays, rivers, large lakes, towns, and villages. According to inscriptions, this map is based on unpublished...
Floods; Hotels; Government officials; Disaster relief; People; Floods--Kentucky--Louisville
Address: 612 W. Main Street, Louisville, Kentucky. A young man in uniform gives a man a piece of paper. He may be giving the man a pass to return to the flooded area. Another man in uniform reads a piece of paper. A woman folds flyers at a table...
Floods--Kentucky--Louisville; Flood damage; University of Louisville--Buildings; Interiors; Libraries; Basements; Office equipment & supplies
Ink jet printer cartridge boxes show water damage from the flood in the Law Library at the University of Louisville Brandeis School of Law. Photograph was taken in the mid-morning.
One-story dark brick building next two two-story light brick building at the corner of Twelfth and Market, Louisville, Kentucky. One-story building is a Boarding and Livery Stable which also sells oysters and fish. Ground floor of the white-brick...
Hathaway Bridge extending over West St. Andrew's Bay. A small point of land is visible on the far horizon. Number PC-42 in a series. Published by Cooper's News Agency; printed by Curteich-Chicago (number 6B-H2240). Printer's number dates this card...
A young woman consults a printout coming from a line printer. A monitor-keyboard console can be seen in the foreground. This is a photograph relating to registration, either at registration or in the Registrar's Office, from the 1980s at the...
Paintings; Acrylic paintings; Capitalism; Glamour photographs; Sex; Seduction; Lust; Relations between the sexes; Women; Bathing beauties; People associated with entertainment & sports; Posing; Clothing & dress; Lingerie; Bathing suits;...
"In subsequent paintings by Polke, deliberately inept versions of American Pop techniques ironically signaled West Germany's 'secondary' cultural/economic status vis-à-vis America. In his Rasterbilder works he subverted [Roy] Lichtenstein's...
"Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
