"Polke's work frequently juxtaposes images wrenched from different periods of history. At the bottom left he makes use of a collage by the early twentieth-century Surrealist Max Ernst, whilst the central image derives from a satirical etching...
Series of five woolen hoods; "The motifs on Trockel's knitted balaclavas emblematized various issues. The 'bunnies', for instance, teasingly evoked the kind of imagery displayed in [Sigmar] Polke's Playboy Bunnies, whilst the swastikas nudged...