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(16 results)



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    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A studio portrait of a young white man, wearing a formal tuxedo jacket, white button up shirt, and bow tie. His hair is parted on the side and slicked back. The invoice denotes he may be a member of Kappa Psi.
    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A studio portrait of a young white man, wearing a formal tuxedo jacket, white button up shirt, and bow tie. His hair is parted on the side and slicked back. The invoice denotes he may be a member of Kappa Psi.
    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A studio portrait of a young white man, wearing a formal tuxedo jacket, white button up shirt, and bow tie. His hair is parted on the side and slicked back. The invoice denotes he may be a member of Kappa Psi.
    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A studio portrait of a young white man, wearing a formal tuxedo jacket, white button up shirt, and bow tie. His hair is parted on the side and slicked back. The invoice denotes he may be a member of Kappa Psi.
    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A head and shoulders portrait of a white man wearing a tuxedo and bow tie. His hair is slicked back and he is looking slightly off camera. The invoice denotes a relationship with Phi Delta Chi.
    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A head and shoulders portrait of a white man wearing a tuxedo and bow tie. His hair parted on the side and is slicked back. He is looking directly at the camera. The invoice denotes a relationship with Phi Delta Chi.
    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A head and shoulders portrait of a white man wearing a tuxedo and bow tie. His hair is parted on the side and he is looking slightly off camera. The invoice denotes a relationship with Kappa Psi.
    • Loews Theater interior construction, Louisville, Kentucky, 1928.

    • Motion picture theaters; Theaters; Cultural facilities; Buildings; Building construction; Construction workers; Progress photographs; Stages (Platforms); Interiors
    • An interior view of the stage at the Loew's Theater being constructed. The theater was located at 625 S 4th St. in Louisville, Ky. Construction workers can be seen on and off the nearly constructed stage. Surrounding the stage is ornate edifices,...
    • Portrait of man, 1929.

    • Men; Portraits; Portrait photographs; Clothing & dress
    • A head and shoulders portrait of a white man wearing a tuxedo and bow tie. His hair parted on the side and is slicked back. He is looking directly at the camera. The invoice denotes a relationship with Phi Delta Chi and may be Frank Brown.
    • Girl before a Mirror.

    • Cubist; Modern (styles and periods); Abstract (fine arts style)
    • "Another stylistic shift in Picasso's work that was influenced by Cubism has been called Surrealism. This term literally means 'above real' and denotes a truer reality than that of the visible world. In the Girl before a Mirror of 1932, Picasso...
    • Girl before a Mirror, detail.

    • Cubist; Modern (styles and periods); Abstract (fine arts style)
    • "Another stylistic shift in Picasso's work that was influenced by Cubism has been called Surrealism. This term literally means 'above real' and denotes a truer reality than that of the visible world. In the Girl before a Mirror of 1932, Picasso...

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