“Moreau has rendered Salome as an enchantress, the archetypal femme fatale who seduces Herod into performing her will. Moreau was very careful to avoid endowing the figure of Herod with any magisterial dignity but rather shows him as an old man,...
Sculpture; Photographs; Mixed media; Allusions; Symbols; Hair; Body parts; Animals
"In the decade before her premature death in 1996, Chadwick developed an iconography which has links with the thought of Georges Bataille […] In Nostalgie de la Boue (1990) two rounded cibachrome transparencies were hung one above the other....