Lead Zirconate Titanate (PZT), known for its ferroelectric properties, is widely used in micro-electromechanical (MEMS) and nano-electromechanical (NEMS) devices. PZT is a ceramic material that is most commonly found in its sol gel form, which...
Photogravure portrait of actor and singer Sol Smith Russell, wearing a jacket and bow tie. Russell made eleven appearances at Macauley's Theatre beginning in 1882. Inscription on print, lower center: Yours very truly, Sol Smith Russell 1893....
Portrait of actor and singer Sol Smith Russell, wearing a double-breasted wool herringbone jacket with striped bow tie. Russell made eleven appearances at Macauley's Theatre beginning in 1882. Inscription on mount, lower right: Yours truly Sol...
Installation, L'Attico Gallery, Rome. Detail of wall drawing in pencil. Draughtsmen: Climbo, Piccari, Battista, Pranovi. "In the early 1960s LeWitt had largely devoted himself to producing modular open cube structures made from wood. His 'wall...
A black Harley-Davidson motorcycle stands on its kickstand next to a wet field. A tag is attached to the front-wheel bumper which reads "Police." It has a central headlight with two side lamps, one of which has a tinted cover that...
A black Harley-Davidson motorcycle stands on its kickstand next to a wet field. A tag is attached to the front-wheel bumper which reads "Police." It has a central headlight with two side lamps. On the side of the engine is lettering...
Portrait of Una Merkel, actress and native of Covington, Kentucky, wearing her hair curly and pearls around her neck. The photograph is torn in a few places and has small spots of discoloration. Printed on bottom, front of image: Una Merkel, E.W....
Stern wheelers; Steamboats; Boat & ship industry; Howard Ship Yards and Dock Company
Port side of CITY OF PEORIA, complete with steam up, tied to the bank of Ohio River at Howard Shipyard. CITY OF PEORIA, a stern-wheel packet with wood hull (130 ft. x 26 ft. x 4.5 ft.), was built by Howard in 1892. Owned by Captain Sol York, CITY...
"Hesse produced a series of versions of this sculpture during 1967-8. They set up an interesting dialogue with [Donald] Judd's frequent exposure of the interiors of his 'boxes'. They also respond obliquely to an iconographic tradition of...
