Shelley, Percy Bysshe, 1792-1822--Criticism and interpretation
The most striking quality of Shelley's poetry meets our attention once, in the play of ever-changing emotion through his lines. When he called himself "A pard-like Spirit beautiful and swift," he characterized the spirit of his poetry,...
Lewis, M. G. (Matthew Gregory), 1775-1818--Criticism and interpretation; Lewis, M. G. (Matthew Gregory), 1775-1818. The monk
When Ambrosio in Matthew Lewis's 1796 gothic masterpiece, The Monk , signs a contract relegating his soul to Satan and eternal damnation, he has reached the culmination of 442 pages of mental anguish, of his self wrestling with his conscience to...
"The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
"The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
A man with a bushy white mustache stands outdoors by a chair, wearing suspenders and holding a hat. Jean Thomas describes him as "Old man selling scissors sharpener -- stranger, with strange looking sideburns." Title supplied by cataloger.
"With its somewhat distant-looking quality and distinctive crown of olive leaves, this statue is most likely a memorial portrait. Although the head and body originally came from two separate statues, they are chronologically consistent. The...
"Dali's famous 'melting clocks' in The Persistence of Memory portray the uncanny quality of certain dreams. In a stark, oddly illuminated landscape, a number of elements referring to time - watches, eggs, a dead fish, a dead tree - are...
Installation, L'Attico Gallery, Rome. Detail of wall drawing in pencil. Draughtsmen: Climbo, Piccari, Battista, Pranovi. "In the early 1960s LeWitt had largely devoted himself to producing modular open cube structures made from wood. His 'wall...
"Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
