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  • Description: surrender
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Display: 20

    • Gen. E. O. C. Ord, U.S.A.

    • Gen. E. O. C. Ord, U.S.A.

    • Portraits; United States--History--Civil War, 1861-1865--Military personnel--Union; Generals--American--1860-1870; Generals; Military uniforms; Military officers

    • Portrait of Major General Edward Otho Cresap Ord (1818-1883), who was the designer of Fort Sam Houston and a Union officer in the United States Army of the United States Civil War. Ord's army played a significant role in the surrender of...
    • Gen'l W. T. Sherman.

    • Gen'l W. T. Sherman.

    • Portraits; United States--History--Civil War, 1861-1865--Military personnel--Union; Generals--American--1860-1870; Generals; Military uniforms; Military officers

    • Engraved portrait of William Tecumseh Sherman (1820-1891), Major General of the Union Army during the United States Civil War. He is well known for leading his troops in the capture (and burning) the city of Atlanta in 1864, then marching to the...
    • Discovery of America by Christopher Columbus.

    • Discovery of America by Christopher Columbus.

    • Paintings; Oil paintings; Marines (Visual works); Symbols; Allusions; Discovery & exploration; Catholicism; Christianity; Portraits; Self-portraits; Portrait paintings; Men; Women; Spouses; Nudes; Explorers; Saints; People associated with...

    • "Dali and Gala had every reason to be grateful to America, which had showered them with dollars. Here, as Columbus, the painter kneels on the shore, holding aloft a silver crucifix. Gala appears once more as Virgin Mary, on the banner."...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
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