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  • Description: thrown
(14 results)



Display: 20

    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • John E. Kellerd.

    • John E. Kellerd.

    • Portraits; Portrait photographs; Actors; Men; Costumes; Posing

    • Full-length character portrait of English actor and producer John E. Kellerd, wearing tattered military costume, portraying intense pain. His head is thrown back and his arms outstretched, and he appears to be falling forward as if shot in the...
    • David Warfield.

    • David Warfield.

    • Portraits; Portrait photographs; Actors; Men; Costumes; Posing

    • David Warfield, a David Belasco Star (under contract to producer David Belasco), appeared at Macauley's Theatre nine times between 1902 and 1920. He was born in San Francisco, California in 1866, and died July 27, 1951 in New York City. In this...
    • The False Mirror.

    • The False Mirror.

    • Paintings; Oil paintings; Eyes; Body parts; Clouds; Puns (Visual works)

    • "Magritte's False Mirror of 1928 depicts a large eye (from which the familiar CBS logo is derived). The black circle at the center can refer both to the pupil and to the eclipsed sun. The observer is thrown off balance by the unusual close-up...
    • The Perception of Presence.

    • The Perception of Presence.

    • Sculpture; Mixed media; Men; Young adults; Discrimination; Race discrimination; Racism; Prejudice; Cultural relations; Social classes; Social aspects; Interpersonal relations; Fear

    • Earth, linen cloth, and wood, and recorded interviews; “ ‘My godson’s experience stimulated this piece. He’s grown up in Greenwich Village and one evening while out with his friends the police swooped down upon them. They were thrown...
    • Manhattan.

    • Manhattan.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "Wols's painted surfaces register a variety of different activities. Paint was stenciled, smeared, trickled, or thrown onto his canvases. Markings were incised using the artist's fingers or sticks. In essence, though, these images were more...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • Jupiter, front view.

    • Jupiter, front view.

    • Sculpture; Myths; Legends; Gods; People associated with religion; Supernatural beings; Fictitious characters; Men; Nudes; Genitals; Clothing & dress; Hairstyles; Beards; Lightning; Lifting & carrying; Gestures; Eagles; Birds; Animals;...

    • "Here the god is shown standing, naked, a coat thrown over his left shoulder. His left arm is raised and perhaps at one time leaned on a long scepter. The thunderbolt in his right hand and the eagle at his feet are other attributes of this...
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