University of Louisville University Libraries

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    • John P. Morton & Co. Woodblock Prints, Sheet 3-2.

    • John P. Morton & Co. Woodblock Prints, Sheet 3-2.

    • Animals; Street railroads; Children; Play (Recreation); Toys; Writing; Reading; Sleeping; Men; Lathes; Shepherds; Barrels; Women; Flowers; Plants; Trees; Urns; Inkstands

    • Woodblock prints of, from top left and starting with larger images: fox ready to pounce on rabbit, hidden under tree root; 5-cent stamp, bearing image of horse-drawn trolley; mother cat leaping with arched back toward dog to protect her litter of...
    • John P. Morton & Co. Woodblock Prints, Sheet 19-1.

    • John P. Morton & Co. Woodblock Prints, Sheet 19-1.

    • Textbooks; Cityscapes; Steamboats; Children; Animals; Mansions; Houses; Seals (Insignia); Blacksmithing; Men; Women; Drugstores; Stores & shops; Servants

    • Woodblock prints of, from top to bottom starting at top left: title page for "Arithmetic adapted to the course of instruction academies & common schools by P. A. Towne John P. Morton & Co. Publishers Louisville, Ky."; skyline of a...
    • John P. Morton & Co. Woodblock Prints, Reprint sheet 22.

    • John P. Morton & Co. Woodblock Prints, Reprint sheet 22.

    • Men; Children; Animals; Sleds & sleighs; Knights; Women; Chivalry; Dairy farming; Carts & wagons; Sailors; Naval warfare; Reading; Justice; Ladders; Skeletons; Scythes; Bones; Steam engines; Railroad stations; Steamboats; Body parts;...

    • This set of woodblock prints was reprinted in the 1980s. With the exception of the paddle-wheel steamboat, the zeppelin, the teapot or genie bottle, the three-dimensional rectangle, the flower with 9 spokes, the eagle perched on shield, the...
    • The Sower.

    • The Sower.

    • Paintings; Oil paintings; Croplands; Agriculture; Farming; Landscapes (Representations); Men; Adults; Working class; Laborers; Agricultural laborers; People associated with manual labor; People associated with agriculture; Walking; Gestures;...

    • "Though its exact date is unknown, the nature of the brushwork and general intensity of style suggest late 1888 or early 1889 while van Gogh was still in Arles, the village in Provence [...]. It may even have been executed after van Gogh...
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