Character portrait of Gertrude Coghlan wearing a fascinator and sleeveless evening gown with black gloves for the role of Becky Sharp in William Makepeace Thackeray's "Vanity Fair." Born circa 1879 in Hertfordshire, England, she married...
Three-quarter length character portrait of Gertrude Coghlan wearing a hat with bow, dress with sash, and black gloves for the role of Becky Sharp in William Makepeace Thackeray's "Vanity Fair." Born circa 1879 in Hertfordshire, England,...
Bedroom in Shackleford Miller home on Upper River Road, Louisville, Kentucky, 1930. Carpeted room with wallpaper and a four poster bed with white spread and dust ruffle. Fireplace partly shown at left has a bin and an extra rug in front. Small...
Three-quarter length portrait of actress Gertrude Coghlan (also known as Gertrude Coghlan Pitou, following her marriage to Gus Pitou, Jr.) with hand on hip, wearing a hat with ostrich plume, long dress, and white gloves. She was born circa 1879 in...
Portrait of actress Gertrude Coghlan wearing a white blouse with high collar. Born circa 1879 in Hertfordshire, England, she married Gus Pitou, Jr. and appeared at Macauley's Theatre in "Colinette" and "Vanity Fair" (January...
Model houses; Bedrooms; Furniture; Signs (Notices)
Display of model home bedroom, with vanity, bed, telephone on nightstand, and rug over parquet floor. Sign at center of room advertises "Reed Air Filters American Air Filter Co." Title supplied by cataloger.
Model houses; Bedrooms; Furniture; Signs (Notices)
Display of model home bedroom, with bed, chair, dresser ("Manufactured by Inman Co. for Sears, Roebuck & co. 'Louisville Products'), table, vanity, and rug over parquet floor. Other signs read "This 1931 Model Home Furnished Complete...
Bedroom set including a bureau, dresser with a round mirror, bed (double or queen), and vanity with a round mirror on display in a large room with other pieces of furniture in the background.
“Moreau has rendered Salome as an enchantress, the archetypal femme fatale who seduces Herod into performing her will. Moreau was very careful to avoid endowing the figure of Herod with any magisterial dignity but rather shows him as an old man,...
Edition of 10. "Sherman poses as a woman daydreaming. She holds a mirror, a clichéd symbol of vanity, in one hand. Momentarily her blank stare triggers a disturbing 'double-take'. She becomes a victim of crime in a police photograph, 'killed'...
