Identity theft; College students--Crimes against; Victims of crimes--Psychology
This thesis examines the link between routine activity theory and identity theft victimization using college students. Using data collected from 308 undergraduate students attending a southeastern university, this study seeks to present the...
Human-animal relationships in literature; Coetzee, J. M., 1940---Criticism and interpretation; Coetzee, J. M., 1940---Characters--Elizabeth Costello; Animals (Philosophy); Animal rights
For the past four decades, scholarship on the relationship between human and
nonhuman animals has been growing inside the academy and sprouting ontological and
epistemological concerns about the status of the Humanities as an institution....
Due to of the rise in numbers of persons experiencing homelessness, communities are working to restrict access that homeless individuals have to public spaces. Many cities across the nation have criminalized aspects of homelessness in attempts to...
Intimate partner violence--Psychological aspects; Victims of family violence--Rehabilitation; Victims of violent crimes--Mental health; Creative writing--Therapeutic use; Post-traumatic stress disorder--Treatment
Described as important long-term consequences of trauma exposure, disruptions in emotional processes are regarded as central features of posttraumatic stress disorder (PTSD); however, the nature of these posttraumatic emotional disruptions remains...
Authors, South African--20th century; South Africa--In literature; Protest literature, South African (English); Mphahlele, Es'kia, 1919-2008. Down Second Avenue; Dikobe, Modikwe, 1913- Marabi dance; Mda, Zakes. Madonna of Excelsior; Mhlongo,...
Through content analysis of Ezekiel Mphahlele's Down Second Avenue,
Modikwe Dikobe's The Marabi Dance, Zakes Mda's The Madonna of Excelsior,
and Niq Mhlongo's After Tears, this study compares the themes of pre- and post-
1994 South African township...
To gain a true appreciation of the works of any author, we must first be familiar with his race, his environment, and the period in which and of which he wrote. The Paris of the early seventeenth century was far different from the modern metropolis...
This thesis lays the groundwork for creation of a graduate-level computer forensics course. It begins with an introduction explaining how computing has invaded modern life and explains what computer forensics is and its necessity. The thesis then...
Kentucky--History--1792-1865; Southwest, Old--History; Mississippi River Valley--History
This paper is involved in a study of the intrigues of Kentuckians for the securing of the Mississippi River as a free waterway for the marketing of their produce and the consequent improvement of the condition of Kentuckians in every way. The...
After a careful study of Madison Cawein's poetry, and comparing his views on religion and philosophy with those of some of the great English poets, Wordsworth, Shelley, Byron, Tennyson and Browning, I shall summarize them as follows, and treat each...
Federal Art Project; Art and social action; Politics in art
This thesis project exhibition brought together Works Progress Administration prints
from the University of Louisville collection, as well as the University of Kentucky Art
Museum and Murray State University. The thirty-three works were...
Law and legislation--Kentucky; Constitutions--Kentucky
Kentucky's third constitution, ratified by voters in 1850 is important historically as the first state charter for which complete record of the convention that drafted it was published, making it possible to research the intentions of the framers. ...
The Louisville Leader was an African-American newspaper published from 1917 to 1950 by I. Willis Cole in Louisville, Kentucky. This issue says Vol. 29. No. 22. but is actually Vol. 29. No. 24. This issue is four pages and there is a crease across...
The Louisville Leader was an African-American newspaper published from 1917 to 1950 by I. Willis Cole in Louisville, Kentucky. This issue says Vol. 30. No. 50. but is actually Vol. 30. No. 51. There is a crease across the center of page one that...
