Photography--Psychological aspects; Mourning customs in art; Mourning customs in literature; Phenomenology and art
The creation of liminal spaces has been used for centuries cross-culturally to create sacred or taboo meanings in rituals, people, places, or objects. Liminality is constructed by the overlapping of cultural categories and "ruptures" an...
Art museums--Collection management; Rowling, Charles, 1935-2008; Kentucky Museum of Art and Craft
This Curatorial project examines issues that museums face in the documentation of permanent collections, using the Kentucky Museum of Art and Craft (KMAC) and its piece Angel, by Charles Rolwing, as specific examples. The project focuses on museum...
In this novella, a young girl wakes to discover she has lost her voice and that
people can no longer hold their secrets back from her. Tasked with offering them
absolution through listening, she must also deal with the increasing toll bearing...
Feminism in art; Art, Mexican; Women in art; Art and society--Mexico
This dissertation outlines a theoretical model for contextualizing contemporary
women's art practice in Mexico within the profound socioeconomic and political events
that have taken place since 1968, characterized by the steady breakdown and...
Federal Art Project; Art and social action; Politics in art
This thesis project exhibition brought together Works Progress Administration prints
from the University of Louisville collection, as well as the University of Kentucky Art
Museum and Murray State University. The thirty-three works were...
Catalog of an exhibition of color lithographs by Andre Masson, presented by the University of Louisville, Allen R. Hite Art Institute, October 26-November 21, 1953.
Allen R. Hite Art Institute; Artists; Etchings; Engravings
Catalog of an exhibition presented by the University of Louisville, Allen R. Hite Art Institute, January 5-January 31, 1948. Includes essay by Lester D. Longman.
"Man Ray's most famous photograph, Le Violon d'Ingres, combines Dada wordplay with Surrealist imagery. The nude recalls the odalisques of Ingres, while the title refers to Ingres's hobby - playing the violin (which led to the French phrase...
"Another stylistic shift in Picasso's work that was influenced by Cubism has been called Surrealism. This term literally means 'above real' and denotes a truer reality than that of the visible world. In the Girl before a Mirror of 1932,...
"Another stylistic shift in Picasso's work that was influenced by Cubism has been called Surrealism. This term literally means 'above real' and denotes a truer reality than that of the visible world. In the Girl before a Mirror of 1932,...
Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
First version; "Dali's atomic variation on the Assumption, with Gala as tutelary goddess of Port Lligat." (Caption); Dali's first 'religious painting', designed to ingratiate himself with Church and State, was The Madonna of Port Lligat,...
"Whilst implicitly acknowledging the Surrealism of [Joseph] Cornell, Arman possibly evokes [Roland] Barthes's mournful vision of commodified toys as expressed in the latter's book Mythologies (1957). Barthes wrote that in the consumerist era,...
"Cornell's boxes of the 1940s and 1950s consisted of achingly melancholy juxtapositions of incongruously scaled objects implying temporal and spatial poetic leaps. A Victorian child's soap bubble set would be placed against a lunar map or a...
"This painting deliberately combines a host of allusions to Spanish culture such as the stark black/white contrasts of Goya, Velasquez, and Picasso, the Spanish poet Lorca's lament to a dead bullfighter, 'Llanto por Ignacio Jánchez mejías',...
"Ad Reinhardt's satirical cartoons, which contrasted sharply with his practice as a painter, dated back to the 1930s and 1940s. His strong Communist sympathies during that period had informed a series of cartoons for left-wing journals. By the...
"The Hungarian-born photographer Brassai (Gyula Halasz) moved to Paris in the early 1920s and became friendly with avant-garde figures such as Picasso. In the 1920s and 1930s he photographed the low life of the city, deeply influenced by a...
