This thesis focuses on twentieth-century poet Frank O'Hara and his relationship to painting and painters in New York in the 1950s. An examination of the concept of ekphrasis functions as a theoretical frame and substantiation for the discussion of...
"This painting deliberately combines a host of allusions to Spanish culture such as the stark black/white contrasts of Goya, Velasquez, and Picasso, the Spanish poet Lorca's lament to a dead bullfighter, 'Llanto por Ignacio Jánchez mejías',...
Paintings; Oil paintings; Abstract paintings; Abstract works
"By 1947 - even earlier in drawings - the artist had begun to experiment with all-over painting, a labyrinthine network of lines, splatters, and paint drips from which emerged the great 'poured' paintings of the next few years. These...
"In the year before Pollock's premature death, Krasner made powerful collages, possibly drawing on the huge semi-abstract 'paper-cuts' that the veteran French Modernist Henri Matisse was producing around this time. In one of these collages she...
"In de Kooning's black canvases the elimination of color was conditioned as much by financial constraints as by the need to simplify pictorial problems in the spirit of Analytic Cubism. The deliberately artless use of shiny enamel housepaints...
"By the turn of the 1950s Rothko had arrived at the pictorial format which was to serve him for the rest of his career; horizontal lozenges of soft-edged color hovering in a large vertically oriented field. These clouds of color were seen by...
"The assertive flatness of the implacable field of red is emphasized by the linear vertical 'zips'. Rather than functioning as 'drawing' within space, these reinforce and delimit the space as a whole. White 'zips' in Newman's works also evoke...
Photographs; Portrait photographs; Portraits; Men; Women; Artists; Painters (Artists); Sculptors; Historians; Scholars; Critics; Art dealers; Authors; People associated with commercial activities; People associated with education &...
Photo Fred W. McDarrah. Visible are Harriet Janis (left), Franz Kline, William Baziotes (eyes only), Robert Goldwater, Louise Bourgeois (with hat), Ethel Baziotes (right), Mark Rothko (with hat), David Sylvester (rear centre), Willem de Kooning...
