Drawings; Ink drawings; Pen works; Abstract drawings; Abstract works
Indian ink on paper. June 1960. "Michaux was a poet as well as a visual artist. Works such as this are essentially calligraphic, representing a meeting point of writing and painting. His calligraphy often assumes a hallucinatory character,...
"In her consistent use of grids Agnes Martin participated in a tradition in twentieth-century art stretching from the Cubists and Mondrian to her Minimalist contemporaries. The grid was a non-hierarchical and non-referential structure. It...
"Wols's painted surfaces register a variety of different activities. Paint was stenciled, smeared, trickled, or thrown onto his canvases. Markings were incised using the artist's fingers or sticks. In essence, though, these images were more...
Oil, house paint, crayon, and pencil on canvas. "The classical setting and celebration of intellectual probity evoked in the title's reference to Raphael's School of Athens (c.1510-12, Vatican, Rome) are offset by markings evoking bodily...
"Fate of the Beasts (1913), perhaps also related to the prevailing apprehensions of war, portrays a total, inescapable catastrophe. Hard, arrowlike diagonals intersect to shoot across the canvas. Trees bleed and descend in a cosmic cataclysm....
Paintings; Abstract works; Abstract paintings; Portrait paintings; Portraits; Heads (Anatomy); Faces; Men; Politicians; Government officials; People associated with politics & government; Activists; Revolutionaries; Beards
"Look closely at the image […]. It appears to be an icon of postwar experimental art - an early 1950s abstraction by the American painter Jackson Pollock. However, read the caption and it is revealed to be a pastiche by Art & Language, a...
"In de Kooning's black canvases the elimination of color was conditioned as much by financial constraints as by the need to simplify pictorial problems in the spirit of Analytic Cubism. The deliberately artless use of shiny enamel housepaints...
Installation, L'Attico Gallery, Rome. Detail of wall drawing in pencil. Draughtsmen: Climbo, Piccari, Battista, Pranovi. "In the early 1960s LeWitt had largely devoted himself to producing modular open cube structures made from wood. His 'wall...
Bronze and wool; “[Riboud’s] sculptures are studies in opposites—soft vs. hard, black vs. white. Her use of contrasting materials, bronze and silk cording or bronze and wood, is an extension of this exploration.” (caption, p.80)
