Acting; Yankowitz, Susan. Night sky; Yankowitz, Susan--Characters--Anna
This thesis is divided into six chapters covering my evolution as an artist. The introduction features the growth and awareness I have attained, spanning the past three years, since I arrived at graduate school. Chapter One discusses my approach to...
Acting; Cleage, Pearl--Characters--Leland Cunningham; Cleage, Pearl. Blues for an Alabama Sky
This thesis examines my preparation for performing Leland Cunningham in Blues for an Alabama Sky by Pearl Cleage. Using the motif of personal expectations, I explore how my ideas of performance have become unbalanced. I evaluate the origin of these...
Acting; Shakespeare, William, 1564-1616--Characters--Richard III; Shakespeare, William, 1564-1616. King Richard III
This thesis is a culmination of process and real life experiences I used as an actor to reach the goal of performing the role of Shakespeare's Richard III. Not only do I discuss the process I used, but I discuss the choices I made in pursuing this...
Acting; Eno, Will, 1965---Characters--Man; Eno, Will, 1965- Flu season
This thesis examines my work on the role of Man in the University of Louisville's 2011 production of Will Eno's The Flu Season directed by James Tompkins. It is composed of three primary chapters: rehearsal process, character development, and...
In fulfillment of the thesis project requirement for the Master of Fine Arts Degree at the University of Louisville, I portrayed the multiple roles of Clytemnestra, Electra and Athena in Dr. Steve Schultz's translation of Aeschylus'...
Acting; Shakespeare, William, 1564-1616--Characters--Queen Margaret; Shakespeare, William, 1564-1616. King Richard III
This thesis is a brief examination of what is required to create a successful performance onstage, where a successful performance is defined by the audiences understanding of the text through the actor's performance. With that understanding comes a...
This thesis is the progression of the knowledge, skill, and insight of an actress in the Theater Arts Department as she was in pursuit of a Master of Fine Arts Degree. This knowledge, skill and insight culminated in the performance of the role of...
This thesis is a personal examination of the process of creating, developing and portraying the character of Dionysus in University of Louisville's 1996 production of Euripides' The Bacchae. It begins with an examination of my acting process prior...
Acting; Lawrence, Jerome, 1915-2004. Night Thoreau spent in jail
This thesis considers my preparation for and performance in "The Night Thoreau Spent in Jail." Through four themed chapters (ego, intellect, energy, and fear), I explore strengths of my acting that have become weaknesses. I consider their...
Vogel, Paula. How I learned to drive; Vogel, Paula--Characters--Uncle Peck; Acting
This personal narrative briefly describes my past in the performing arts and outlines my training as an actor and my development of an actor's process through various class and performance experiences at the University of Louisville. Through the...
This thesis chronicles my journey within the framework of a hero's journey, as a theatre artist in the Master of Fine Arts program at the University of Louisville's Theatre Arts Department. This thesis is divided into six chapters that explore the...
In fulfillment of the thesis project requirement for the Master of Fine Arts Degree at the University of Louisville, I portrayed the role of Paulina in William Shakespeare's The Winter's Tale. The production was directed by Dennis Krausnick,...
This thesis explores my work on the role of Charles Condomine in a production of Noel Coward's Blithe Spirit directed by James Tompkins. It is broken down into three main chapters covering the rehearsal process, character development, and...
Acting; Cleage, Pearl. Blues for an Alabama sky; Cleage, Pearl--Characters--Angel
This thesis represents and examines my metamorphic journey as it relates to acting. These pages hold my greatest fears, insecurities, perspectives, and mantras toward life and the magical world of theatre. Chapter One, Genesis of Passion, reveals...
"In a darkened room, Dine, acting the part of 'car' in a silver-sprayed cap and raincoat, swerved to avoid 'hits' from the raking 'headlights' attached to fellow performers. The lights went on and off amid clatterings and amplified collision...
