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  • Subject: Discrimination
(40 results)



Display: 20

    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Paintings; Acrylic paintings; Mixed media; Quilts; Textiles; Textile art; Sewing; Needlework; Embroidery; Books; Storytelling; Inscriptions; Lettering (Layout features); Punctuation; Question marks; Names; Fantasy; Fictitious characters; Memorial...

    • "A moving tribute to her mother, this work combines the personal and the political. The quilt includes a narrative - the witty story of the family of Aunt Jemima, most familiar as the stereotypical black 'mammy' but here a successful African...
    • Oral history interview with Ruth Bryant.

    • Oral history interview with Ruth Bryant.

    • African Americans--Education (Elementary); African Americans--Education (Higher); National Training School for Women and Girls (Washington, D.C.); Fisk University; Howard University; African Americans; Race relations; Civil rights; African...

    • Oral history interview conducted with Ruth Bryant on July 24, 1977 by Kenneth L. Chumbley. Mrs. Bryant, a community activist, primarily discusses her involvement in community organizing and political activism during the 1960’s in Louisville. ...
    • The Perception of Presence.

    • The Perception of Presence.

    • Sculpture; Mixed media; Men; Young adults; Discrimination; Race discrimination; Racism; Prejudice; Cultural relations; Social classes; Social aspects; Interpersonal relations; Fear

    • Earth, linen cloth, and wood, and recorded interviews; “ ‘My godson’s experience stimulated this piece. He’s grown up in Greenwich Village and one evening while out with his friends the police swooped down upon them. They were thrown...
    • The Liberation of Aunt Jemima.

    • The Liberation of Aunt Jemima.

    • Mixed media; Sculpture; Political issues; Discrimination; Race discrimination; Racism; Prejudice; Ethnic stereotypes; Stereotyping; Caricatures; Cultural relations; Civil rights; Social classes; Social aspects; Advertisements; Advertising;...

    • “The social, political, and spiritual terrain of Saar’s work incorporates found objects, personal family memorabilia, and other materials. In this work, using the familiar and derogatory image of Aunt Jemimah, Saar transforms the stereotype...
    • Bedia's Stirring Wheel.

    • Bedia's Stirring Wheel.

    • Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...

    • "Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
    • Five Car Stud.

    • Five Car Stud.

    • Sculpture; Tableaux; Night; Violence; Terrorism; Punishment & torture; Race discrimination; Discrimination; Race relations; Racism; Social aspects; Interpersonal relations; Social justice; Social values; Minorities; Ethnic groups; Men; Women;...

    • Tableau: cars, plaster casts, guns, rope, masks, chainsaw, clothing, oil pan with water and plastic letters, paint, polyester resin, styrofoam rocks, and dirt; "Ruthlessly forgoing aesthetic or metaphorical niceties, Keinholz's grotesquely...
    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Faces; Women; Artists; Racially mixed people; Hairstyles; Race discrimination; Discrimination; Racism; Ethnic stereotypes; Interpersonal relations; Prejudice

    • "As an African-American who is able to pass as 'white', Piper has written eloquently of the social and institutional prejudices that surface when she divulges her racially mixed identity. In a text entitled 'Flying' of 1987 she wrote: 'I am...
    • The Migration of the Negro series, No. 49.

    • The Migration of the Negro series, No. 49.

    • Paintings; Tempera paintings; Storytelling; Vignettes; History; Discrimination; Racism; Segregation; Political issues; Social aspects; Interpersonal relations; Social classes; Economic & social conditions; Social life; Cost & standard of...

    • "No. 49 of this series bears the caption 'They also found discrimination in the North although it was much different from that which they had known in the South.'" (Excerpt, Kleiner, p.1067)
    • Untitled.

    • Untitled.

    • Exhibitions; Art exhibitions; Exhibition facilities; Exhibition buildings; Galleries (Display spaces); Galleries & museums; Commercial art galleries; Rooms & spaces; Interiors; Walls; Ceilings; Floors; Photographs; Screen prints; Prints;...

    • Installation at the Mary Boone Gallery, New York, 5-26 January 1991. Photographic silkscreen on paper, floor lettering vinyl paint, dimensions variable according to location.
    • Discussion.

    • Discussion.

    • Drawings; Ink drawings; Men; Adults; Costumes; Headgear; Masks; Racism; Discrimination; Gestures; Pointing fingers; Discussion; Conversation; Interpersonal relations; Inscriptions; Artists' signatures; Numerals

    • Caption information: Tusche [India ink] / sig. u. dat.: u. r. Philip Guston 1970 [Signed and dated: lower right: Philip Guston 1970] / Alle Marlborough Gallery, London.
    • Guarded Conditions.

    • Guarded Conditions.

    • Photographs; Photographic prints; Instant camera photographs; Dye diffusion transfer prints; Plaques; Mixed media; Social aspects; Social values; Ethnic stereotypes; Stereotyping; Discrimination; Women; Backs (Anatomy); Standing; Clothing &...

    • "The viewer of Lorna Simpson's works is compelled to shuttle between texts and images in order to construct meanings. The use of text-image conjunctions was a major component of 1980s photographic process. In Britain Victor Burgin's teaching...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
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