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  • Subject: Ethnic stereotypes
(16 results)



Display: 20

    • This is to say it is Easter day.

    • This is to say it is Easter day.

    • Easter cards; Chickens; Children; Dutch; Ethnic stereotypes

    • Children in wooden shoes and traditional Dutch caps watch a nest of chicks and eggs, some of whom are hatching. Published by Raphael Tuck & Sons, part of "Dutch Easter" series, no. 759. Postmarked 1916 on verso.
    • Yo' am ma valentine - deed yo is Honey?

    • Yo' am ma valentine - deed yo is Honey?

    • African Americans; Valentines; Children; Benches; Ethnic stereotypes; Caricatures

    • Girl sits on bench looking out of the corner of her eye at a young man standing behind her. He holds an envelope with a heart on it. The two figures are stereotypucal caricatures of African Americans. This is a pop-up card; the young man can move...
    • To my valentine.

    • To my valentine.

    • Valentines; Cats; Dutch; Benches; Flowers; Arrows; Ethnic stereotypes; Caricatures

    • Caricature Dutch girl sits on a bench next to a black cat. She is framed by a heart of blue flowers that is pierced by a golden arrow. Postmarked 1915 on verso.
    • Stern necessity.

    • Stern necessity.

    • Women; Boys; African Americans; Sewing; Thread; Caricatures; Ethnic stereotypes

    • African American woman sews up a patch on a young boys pants as he lays across her lap. The facial expressions are stereotypical portrayals of blacks in the early 20th century. This image depicts African Americans in a stereotyped fashion that may...
    • Uncle Tom.

    • Uncle Tom.

    • African Americans; Men; Ethnic stereotypes

    • Elderly African American man, seated, with a walking stick and a hat. This image depicts African Americans in a stereotyped fashion that may be offensive to many viewers; the University of Louisville and the University Archives & Records Center...
    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Paintings; Acrylic paintings; Mixed media; Quilts; Textiles; Textile art; Sewing; Needlework; Embroidery; Books; Storytelling; Inscriptions; Lettering (Layout features); Punctuation; Question marks; Names; Fantasy; Fictitious characters; Memorial...

    • "A moving tribute to her mother, this work combines the personal and the political. The quilt includes a narrative - the witty story of the family of Aunt Jemima, most familiar as the stereotypical black 'mammy' but here a successful African...
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; History; Storytelling; Men; Women; Disfigured persons; Heads (Anatomy); Faces; Teeth; Hands; Gestures; Sitting; Standing; Nudes; Backs (Anatomy); Muscles; Punishment & torture; Violence; Ropes; Chains; Blood; Wounds...

    • Oil on heavy fabric, canvas; “ ‘My artwork is a process of storytelling—bringing and invoking the past and spirits and ancestors into people and environments. The society… has created an environment of mistrust… Everyone has to conform to...
    • The Liberation of Aunt Jemima.

    • The Liberation of Aunt Jemima.

    • Mixed media; Sculpture; Political issues; Discrimination; Race discrimination; Racism; Prejudice; Ethnic stereotypes; Stereotyping; Caricatures; Cultural relations; Civil rights; Social classes; Social aspects; Advertisements; Advertising;...

    • “The social, political, and spiritual terrain of Saar’s work incorporates found objects, personal family memorabilia, and other materials. In this work, using the familiar and derogatory image of Aunt Jemimah, Saar transforms the stereotype...
    • Myths.

    • Myths.

    • Prints; Screen prints; Portrait prints; Paintings; Acrylic paintings; Portrait paintings; Mixed media; Myths; Legends; Fantasy; Comics; Adventure comics; Comic books; Children's comics; Television programs for children; Television programs; Motion...

    • Silkscreen ink on synthetic polymer paint on canvas.
    • Bedia's Stirring Wheel.

    • Bedia's Stirring Wheel.

    • Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...

    • "Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
    • Guarded Conditions.

    • Guarded Conditions.

    • Photographs; Photographic prints; Instant camera photographs; Dye diffusion transfer prints; Plaques; Mixed media; Social aspects; Social values; Ethnic stereotypes; Stereotyping; Discrimination; Women; Backs (Anatomy); Standing; Clothing &...

    • "The viewer of Lorna Simpson's works is compelled to shuttle between texts and images in order to construct meanings. The use of text-image conjunctions was a major component of 1980s photographic process. In Britain Victor Burgin's teaching...
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