Catalog of an exhibition about modern graphic design presented by the University of Louisville, Allen R. Hite Art Institute, October 3-November 11, 1960.
Installation at the Mary Boone Gallery, New York, 5-26 January 1991. Photographic silkscreen on paper, floor lettering vinyl paint, dimensions variable according to location.
Photographs; Posters; Billboard posters; Billboards; Signs (Notices); Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Publicity; Social aspects; Power (Social sciences);...
Top left: We Get Excited [Exploded] Because They Have Money and God in Their Pockets, 1985, poster, New York City; Top center: Surveillance is Your Busywork, bus placard for Nexus project, Atlanta, 1985, photograph courtesy Gerald F. Jones,...
"Alongside his own production of visual poetry, which took the form of silkscreen prints as well as inscribed objects, Finlay was significant for his involvement in the 'small press' publishing activities associated with the alternative poetry...
Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...
"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...
"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
Language; Slogans; Inscriptions; Lettering (Layout features); Punctuation; Graphic design; Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values; Political issues; Discrimination;...
"Barbara Kruger, rather than making her own photographs, has combined found media imagery involving the male gaze and its various hidden projections of personal power with brief texts of her own devising. Sometimes by reinforcement of the...
Illustrations; Book illustrations; Frontispieces; Books; Literature; Catalogs; Exhibition catalogs; Inscriptions; Lettering (Layout features); Graphic design; Artists' signatures; Names; Heads (Anatomy); Faces; Cliffs; Rocks; Bodies of water
"L'Androgyne" (The Hermaphrodite) by Josephin Peladan, Part VIII of "L'Ethopee" or "La Decadence latine," frontispiece. Illustration from the catalogue of the Salon de la Rose Croix, Galerie Durand-Ruel, Paris, 1892.
Allen R. Hite Art Institute; Drawings; Graphic design; Paintings; Prints; Sculpture
Catalog of an exhibition of new acquisitions for the University Art Collection, presented by the University of Louisville, Allen R. Hite Art Institute, October 25-November 22, 1955.
Woodblock prints of, clockwise from left: frame signed "Waggoner& Bosse SC: Louisville" (sideways); elaborate corner design signed "Waggoner & Boss SC. Louisville."; number 33; monogram for "R.E.L.", with...
