Woodcut illustration for "Le Livre des Masques, Portraits Symbolistes" by Remy de Gourmont, Mercure de France, Paris, 1896-1898. Published in Le Figaro, Paris, 18 September 1886.
"La Mort de Tintagiles," puppet play by Maurice Maeterlinck, Ygraine at the Gate, pastel illustration by Khnopff, published in "Ver Sacrum," No. 12, Vienna, December 1898.
Illustrations; Book illustrations; Frontispieces; Books; Literature; Catalogs; Exhibition catalogs; Inscriptions; Lettering (Layout features); Graphic design; Artists' signatures; Names; Heads (Anatomy); Faces; Cliffs; Rocks; Bodies of water
"L'Androgyne" (The Hermaphrodite) by Josephin Peladan, Part VIII of "L'Ethopee" or "La Decadence latine," frontispiece. Illustration from the catalogue of the Salon de la Rose Croix, Galerie Durand-Ruel, Paris, 1892.
"The Canterbury Tales", prologue, opening page, in "The Works of Geoffrey Chaucer," Kelmscott Press, 1896, woodcut illustration by Burne-Jones, border decorations and initials by William Morris.
Collage novel, plate. "He used Victorian steel engravings, which he cut and reassembled with fanatical illusionistic precision." (p.225); [Animal is a pangolin, a scaly anteater]
Engraving, from John G. Stedman's Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America.
Lithographs; Prints; Planographic prints; Illustrations; Book illustrations; Literature; Books; Men; Saints; People associated with religion; Heads (Anatomy); Faces; Devil; Supernatural beings; Temptation
Plate 18 from Gustave Flaubert's The Temptation of St. Anthony, third series; lithograph [illustration], printed in black. "Redon's own predilection for fantasy and the macabre drew him naturally into the orbit of Delacroix, Baudelaire, and...
"Ad Reinhardt's satirical cartoons, which contrasted sharply with his practice as a painter, dated back to the 1930s and 1940s. His strong Communist sympathies during that period had informed a series of cartoons for left-wing journals. By the...
