Federal Art Project; Art and social action; Politics in art
This thesis project exhibition brought together Works Progress Administration prints
from the University of Louisville collection, as well as the University of Kentucky Art
Museum and Murray State University. The thirty-three works were...
Mixed media textiles--Kentucky--Louisville--Exhibitions; Mixed media painting--Kentucky--Louisville--Exhibitions
My work focuses on repurposing historic images and feminine objects to create a contemporary dialogue about the traditions of courtship, marriage and divorce. The use of textiles and feminine objects such as doilies, lace, slips and wallpaper serve...
Prints--Kentucky--Louisville--Exhibitions; Painting--Kentucky--Louisville--Exhibitions; Art quilts; Block designs; Screen process printing; Feminism and art
This thesis explores pattern juxtaposition using traditional American quilt block designs as the compositional basis for nine works pieced from screen printed paper. In the 1970s, the quilt was celebrated for its apparent connection to Modernist...
Catalog of an exhibition of work by Marnye Reinhart and Elizabeth Zabriskie presented by the University of Louisville, Allen R. Hite Art Institute, April 12 - May 8, 1948.
Catalog of an exhibition of the Diether Thimme collection presented by the University of Louisville, Allen R. Hite Art Institute, November 6-December 23, 1966.
Allen R. Hite Art Institute; Collages; Drawings; Paintings; Prints
Catalog of an retrospective exhibition of work by Mary Spencer Nay presented by the University of Louisville, Allen R. Hite Art Institute, October 1967.
Identity (Philosophical concept) in art; Museum techniques; Museum exhibits--Social aspects; Museums--Social aspects
This thesis paper expands upon the aspects of identity and power explored in the exhibition that I curated, entitled "Being & Making: Artists Investigating Identity," at the Speed Art Museum. The developments on topics of identity...
This thesis focuses on twentieth-century poet Frank O'Hara and his relationship to painting and painters in New York in the 1950s. An examination of the concept of ekphrasis functions as a theoretical frame and substantiation for the discussion of...
Allen R. Hite Art Institute; Etchings; Lithographs; Watercolors; Woodcuts
Catalog of an exhibition of work by Lyonel Feininger owned by Louisville collectors and presented by the University of Louisville, Allen R. Hite Art Institute, October 18-November 13, 1954.
Catalog of an exhibition of prints by Lee Chesney presented by the University of Louisville, Allen R. Hite Art Institute, November 21, 1961-January 6, 1962.
Catalog of an exhibition paintings by Jessie B. Trefethen presented by the University of Louisville, Allen R. Hite Art Institute, November 15-30, 1968.
Allen R. Hite Art Institute; Drawings; Paintings; Photographs; Prints
117 exhibition catalogs dating from 1947-1978. Overall, the exhibition program was robust and ambitious, including painting, drawing, sculpture, printmaking and photography as well as architecture and city planning. Works of many countries and many...
