Women and literature; Gothic revival (Literature); Zhang, Ailing; Welty, Eudora, 1909-2001; McCullers, Carson, 1917-1967
This study seeks to situate our understanding of Zhang Ailing's Chuanqi as part of global women's efforts to establish a voice of their own by way of hijacking patriarchal literary heritage. In order to show Zhang Ailing as a conscious weaver of...
This thesis is an investigation into the world of sixteenth-century Venice, encompassing a group of female portraits by artist Palma Vecchio. I utilized many primary and secondary sources concerning Renaissance society, including several which...
Paramount Ballroom (Shanghai, China); Architecture--China--Shanghai; Buildings--China--Shanghai; Shanghai (China)--History--20th century; Shanghai (China)--Social life and customs--20th century
The Paramount Ballroom was an innovative urban space that challenged traditional
Chinese values. In doing so it played an important role in Shanghai's modernization.
Traditional Confucian morality set very strict regulations on the social...
"To the right of the photograph [referring to the photograph in Dali's painting The First Days of Spring, 1929] we find the first appearance of an icon soon to proliferate in Dali's work: a waxy-complexioned head with closed eyes, long...
Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...
"One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
Haute tension (Motion picture); Homosexuality in motion pictures; Horror films; Violence in motion pictures; Motion pictures--Social aspects
The film High Tension (2005) is a complex and powerfully threatening portrait of queer monstrosity and negativity. Upon its release, the film's twist ending garnered widespread derision, but there is a mad method, so to speak, in its insistence on...
Feminism in literature; Self-perception in literature; Women in literature; Chen, Ran, 1962-; Tan, Amy
With increasing cross-cultural infiltrations and accelerated interflows among people of all nationalities in this globalized world, the focus of comparative literature has experienced a shift from traditional Eurocentric cannons to a broader space...
Transcendence (Philosophy) in art; Androgyny (Psychology) in art; Jungian psychology; Art--Psychological aspects
From a Jungian perspective, this thesis investigates the ideal of androgynous transcendence by identifying the Jungian anima-animus archetype within three specific artworks produced by three differing traditions. As a result, this thesis...
Identity (Philosophical concept) in art; Museum techniques; Museum exhibits--Social aspects; Museums--Social aspects
This thesis paper expands upon the aspects of identity and power explored in the exhibition that I curated, entitled "Being & Making: Artists Investigating Identity," at the Speed Art Museum. The developments on topics of identity...
Women in motion pictures--India; Motion pictures--India
My study examines women-centric cinema in India that are in Hindi. In these films women have revolted against the injustice. The content analysis of the movies (parallel and middle) focuses on representation of women-centered issues. The Parallel...
"Dali at his miniaturist best in a tiny work expressive of his sexual anxieties." (Caption); "In the Maldoror illustrations we also find the presence of a slightly older Dali, the same child who, in The Spectre of Sex Appeal, stares...
Caption information: Liegender Halbakt nach rechts [Reclining half-nude facing right] / um 1907 [c. 1907] / blauer und roter Farbstift [blue and red crayon; color pencil] [Note: “farbstift” translates as “color pencil” (Amer.); “crayon”...
Caption information: Liegender Halbakt nach rechts mit aufgestelltem rechten Bein [Reclining half-nude (seen from the right) with the right leg raised (drawn up)] / um 1914 [c. 1914] / roter Farbstift [red crayon; color pencil] [Note:...
Caption information: Liegender Frauenakt [Reclining female nude]/ um 1912 [c. 1912] / Bleistift, weiss gehoht [pencil with white chalk (white highlight; heightened with white)] / sig.: u. r. Gustav Klimt [signature (signed): Lower right: Gustav...
