UofL Libraries Digital Collections

"Metaphors we teach by": representations of disciplinary and teacherly identity.
Metaphor; English language--Rhetoric--Study and teaching
This dissertation is a theoretical examination and textual analysis of the metaphors used to describe the act of writing and the teaching of writing. Within Rhetoric and Composition, there are specific conceptual metaphors that are instrumental to...
University of Louisville Electronic Theses & Dissertations

Cancellations series, Albuquerque Platform.
Photographs; Photographic prints; Gelatin silver prints; Landscapes (Representations); Landscape photographs; Cancellation proofs; Marks (Symbols); Symbols; Destruction & pillage; Automobiles; Vehicles; Junkyards; Architecture; Buildings;...
Toned gelatin silver print.
Visual Resources Center Digital Image Collection

The cemetery at Inning (so-called).
Paintings; Oil paintings; Landscape paintings; Landscapes (Representations); Cemeteries; Graves; Crosses; Architecture; Buildings; Steeples
Canvas. Inv. no. L.1828. On loan from the collection of George Schafer, Schweinfurt. This is not in fact a picture of the cemetery of Inning, near Lake Ammer. The artist can only have drawn inspiration from the grave crosses he had seen in Bavaria...
Visual Resources Center Digital Image Collection

My Mother, Bolton Abbey, Yorkshire, Nov. 1982.
Photographs; Composite photographs; Collages; Montages; Portrait photographs; Portraits; Women; Adults; Mothers; Older people; Artists' models; Tourists; Sitting; Posing; Clothing & dress; Raincoats; Coats; Headgear; Shoes; Footwear;...
Photocollage.
Visual Resources Center Digital Image Collection

The Stone Touchers I, Ruby and Amber In The Gardens of their old Empire history-dressed men, with accompanying text and diagram.
Paintings; Acrylic paintings; History; Political issues; Apartheid; Imperialism; Social classes; War; War casualties; Graves; Tombs & sepulchral monuments; Crosses; Cemeteries; Monuments & memorials; Soldiers; Military personnel; Military...
"Terry Atkinson, like David Hockney, came from a working-class background in Yorkshire, England. However, his affiliations when he eventually moved to London were with Conceptualism rather than Pop. Whilst Conceptualism had been international...
Visual Resources Center Digital Image Collection

The Stone Touchers I, Ruby and Amber In The Gardens of their old Empire history-dressed men.
Paintings; Acrylic paintings; History; Political issues; Apartheid; Imperialism; Social classes; War; War casualties; Graves; Tombs & sepulchral monuments; Crosses; Cemeteries; Monuments & memorials; Soldiers; Vacations; Photographs;...
"Terry Atkinson, like David Hockney, came from a working-class background in Yorkshire, England. However, his affiliations when he eventually moved to London were with Conceptualism rather than Pop. Whilst Conceptualism had been international...
Visual Resources Center Digital Image Collection

The Stone Touchers I, Ruby and Amber In The Gardens of their old Empire history-dressed men, accompanying text and diagram only.
Diagrams; Drawings; Paintings; Acrylic paintings; History; Political issues; Apartheid; Imperialism; Social classes; War; War casualties; Graves; Tombs & sepulchral monuments; Cemeteries; Monuments & memorials; Soldiers; Military personnel;...
"Terry Atkinson, like David Hockney, came from a working-class background in Yorkshire, England. However, his affiliations when he eventually moved to London were with Conceptualism rather than Pop. Whilst Conceptualism had been international...
Visual Resources Center Digital Image Collection

DIGITAL COLLECTIONS

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