Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...
"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...
"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
Language; Slogans; Inscriptions; Lettering (Layout features); Punctuation; Graphic design; Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values; Political issues; Discrimination;...
"Barbara Kruger, rather than making her own photographs, has combined found media imagery involving the male gaze and its various hidden projections of personal power with brief texts of her own devising. Sometimes by reinforcement of the...
Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks
"Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
Installation at the Mary Boone Gallery, New York, 5-26 January 1991. Photographic silkscreen on paper, floor lettering vinyl paint, dimensions variable according to location.
Photographs; Posters; Billboard posters; Billboards; Signs (Notices); Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Publicity; Social aspects; Power (Social sciences);...
Top left: We Get Excited [Exploded] Because They Have Money and God in Their Pockets, 1985, poster, New York City; Top center: Surveillance is Your Busywork, bus placard for Nexus project, Atlanta, 1985, photograph courtesy Gerald F. Jones,...
Sculpture; Electric signs; Electric lighting; Lighting; Lamps; Light bulbs; Names; Artists' signatures; Language; Anamorphic images
"This relates to another work of 1968, My Name As Though It Were Written on the Surface of the Moon, also in neon. The latter, slightly more legibly, reads: 'bbbbbbrrrrrruuuuuucccccceeeeee'. It has been suggested that it may have been a...
Sculpture; Signs (Notices); Language; Electric signs; Electron tubes; Advertisements; Advertising; Slogans; Commercialism; Communication; Communication devices
"Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
"Alongside his own production of visual poetry, which took the form of silkscreen prints as well as inscribed objects, Finlay was significant for his involvement in the 'small press' publishing activities associated with the alternative poetry...
Sculpture; Signs (Notices); Advertisements; Advertising; Electric signs; Electron tubes; Communication; Communication devices; Language; Slogans; Cities & towns; Night; Night photographs; Architecture; Buildings; Walls; Streets; Roads;...
Excerpt from the Survival series. "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island...
Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil; "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil. "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
