Painting destroyed during the London blitz (photograph shows the artist, 1938, [and Fantomas, a character in the early twentieth-century pulp fiction novels by Pierre Souvestre and Marcel Allain.]). The Savage (Le barbare): c. 1928.
Lithographs; Prints; Planographic prints; Illustrations; Book illustrations; Literature; Books; Men; Saints; People associated with religion; Heads (Anatomy); Faces; Devil; Supernatural beings; Temptation
Plate 18 from Gustave Flaubert's The Temptation of St. Anthony, third series; lithograph [illustration], printed in black. "Redon's own predilection for fantasy and the macabre drew him naturally into the orbit of Delacroix, Baudelaire, and...
Illustrations; Book illustrations; Frontispieces; Books; Literature; Catalogs; Exhibition catalogs; Inscriptions; Lettering (Layout features); Graphic design; Artists' signatures; Names; Heads (Anatomy); Faces; Cliffs; Rocks; Bodies of water
"L'Androgyne" (The Hermaphrodite) by Josephin Peladan, Part VIII of "L'Ethopee" or "La Decadence latine," frontispiece. Illustration from the catalogue of the Salon de la Rose Croix, Galerie Durand-Ruel, Paris, 1892.
"The Canterbury Tales", prologue, opening page, in "The Works of Geoffrey Chaucer," Kelmscott Press, 1896, woodcut illustration by Burne-Jones, border decorations and initials by William Morris.
