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  • : Performance art
(13 results)



Display: 20

    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Scratching Both Walls at Once, film still.

    • Scratching Both Walls at Once, film still.

    • Performance art; Video recording; Motion pictures; Film stills; Myths; Fairy tales; Allusions; Artificial limbs; Artists; Women; Hairstyles; Posing; Interiors; Rooms & spaces; Architectural elements; Walls; Windows

    • Film still from recorded performance. "Rebecca Horn's early performances involved her strapping surreal prostheses to her body or wearing elaborate costumes. The allusions to fairy tale and myth were unmistakable but rarely specific. Since...
    • Vagina Painting.

    • Vagina Painting.

    • Performance art; Performances; Women; Artists; Painting; Brooms & brushes; Blood; Bodily functions; Anatomy; Genitals; Human body

    • "Retrospectively this performance reads as a proto-feminist riposte to Yves Klein's usurpation of the female 'trace' of five years earlier [Anthropometries of the Blue Age, performance, 9 March 1960]." (Caption, p.105); "[…] Fluxus...
    • Anthropometries of the Blue Age, performance, 9 March, 1960.

    • Anthropometries of the Blue Age, performance, 9 March, 1960.

    • Performance art; Performances; Painting; Body painting; Locomotion; Human locomotion; Artists; Men; Dandies; Women; Nudes; Audiences; Spectators; Orchestras; Music ensembles; Musicians; Sitting; Musical instruments; Clothing & dress; Suits...

    • "This performance exemplifies Klein's participation in the masculinist tradition of the dandy. The self-contained male, renouncing biological productivity (symbolized by the 'fecundity' of the paint-covered women launching themselves at...
    • Car Crash.

    • Car Crash.

    • Performance art; Performances; Performances & portrayals; Accidents; Automobiles; Death; Writing; Artists; Men; Spectators; Audiences; Sitting; Standing; Costumes; Clothing & dress; Suits (Clothing); Neckties; Neckwear; Eyeglasses

    • "In a darkened room, Dine, acting the part of 'car' in a silver-sprayed cap and raincoat, swerved to avoid 'hits' from the raking 'headlights' attached to fellow performers. The lights went on and off amid clatterings and amplified collision...
    • Dancing in Peckham, film still.

    • Dancing in Peckham, film still.

    • Performance art; Video recording; Film stills; Motion pictures; Fantasy; Women; Artists; Youth; Boys; Teenagers; Dancers; Dance; Recreation; Locomotion; Human locomotion; Walking; Clothing & dress; Trousers; Shirts; T-shirts; Shoes; Footwear;...

    • Videotape; 25 minutes, color, silent; "The idea that art can provide access to an artist's inner being is amusingly, and pointedly, repudiated here. Wearing is completely immersed in her own world. In the video, no soundtrack accompanies her...
    • Car Crash.

    • Car Crash.

    • Mixed media; Paintings; Oil paintings; Backdrops; Stage props; Performance art; Performances; Performances & portrayals; Crosses; Abstract works

    • Oil and mixed media on burlap. (caption); "One of these Happenings was Dine's Car Crash, and this painting formed part of the improvised scenery." (p.40)
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