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  • Title: Untitled
(90 results)



Display: 20

    • Untitled (Ocean with Cross, no. 1).

    • Untitled (Ocean with Cross, no. 1).

    • Drawings; Graphite drawings; Pencil works; Seascape drawings; Seascapes; Seas; Oceans; Water; Bodies of water

    • "Born in Riga in 1938, and transplanted to America in 1949, Celmins has only recently become well known. Her strangely detached, unlocated subjects suggest a radical retreat from the concerns of modern life. Perhaps they relate to her early...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Untitled Film Still, No. 6.

    • Untitled Film Still, No. 6.

    • Photographs; Film stills; Motion pictures; Feminism; Symbols; Women; Artists; Photographers; Actors; Costumes; Fictitious characters; Daydreaming; Posing; Gestures; Leisure; Clothing & dress; Robes; Lingerie; Underwear; Mirrors; Bedsheets

    • Edition of 10. "Sherman poses as a woman daydreaming. She holds a mirror, a clichéd symbol of vanity, in one hand. Momentarily her blank stare triggers a disturbing 'double-take'. She becomes a victim of crime in a police photograph, 'killed'...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; Acrylic paintings; Screen prints; Prints; Mixed media; Graffiti; Animals; Cats; Women; Nudes; Nudism; Breasts; Genitals; Births; Indigenous peoples; Silhouettes; Hairstyles; Gestures; Vehicles; Automobiles; Vehicle...

    • Acrylic, silkscreen and oilstick on canvas.
    • Untitled.

    • Untitled.

    • Exhibitions; Art exhibitions; Exhibition facilities; Exhibition buildings; Galleries (Display spaces); Galleries & museums; Commercial art galleries; Rooms & spaces; Interiors; Walls; Ceilings; Floors; Photographs; Screen prints; Prints;...

    • Installation at the Mary Boone Gallery, New York, 5-26 January 1991. Photographic silkscreen on paper, floor lettering vinyl paint, dimensions variable according to location.
    • History Portraits, Untitled #183.

    • History Portraits, Untitled #183.

    • Photographs; Photographic prints; Women; Artists; Photographers; Actors; Costumes; Portraits; Portrait photographs; History; Fictitious characters; Standing; Posing; Clothing & dress; Dresses; Lace; Nudism; Breasts; Jewelry; Bracelets; Books;...

    • "The photographs in History Portraits are all Kodak C-prints, framed under Plexiglass, in a limited edition of six each" (p.62); silver frame (p.63).
    • History Portraits, Untitled #200.

    • History Portraits, Untitled #200.

    • Photographs; Photographic prints; Women; Artists; Photographers; Actors; Costumes; Portraits; Portrait photographs; History; Fictitious characters; Sitting; Posing; Clothing & dress; Dresses; Shawls; Headgear; Draperies; Picture frames

    • "The photographs in History Portraits are all Kodak C-prints, framed under Plexiglass, in a limited edition of six each" (p.62); silver frame (p.63).
    • History Portraits, Untitled #201.

    • History Portraits, Untitled #201.

    • Photographs; Photographic prints; Women; Artists; Photographers; Actors; Costumes; Portraits; Portrait photographs; History; Fictitious characters; Men; Sitting; Posing; Clothing & dress; Trousers; Stripes; Coats; Neckwear; Lace; Hairstyles;...

    • "The photographs in History Portraits are all Kodak C-prints, framed under Plexiglass, in a limited edition of six each" (p.62); silver frame (p.63).
    • History Portraits, Untitled #222.

    • History Portraits, Untitled #222.

    • Photographs; Photographic prints; Women; Artists; Photographers; Actors; Costumes; Portraits; Portrait photographs; History; Fictitious characters; Older people; Sitting; Posing; Clothing & dress; Dresses; Collars; Neckwear; Lace; Headgear;...

    • "The photographs in History Portraits are all Kodak C-prints, framed under Plexiglass, in a limited edition of six each" (p.62); wood frame (p.62).
    • History Portraits, Untitled #223.

    • History Portraits, Untitled #223.

    • Photographs; Photographic prints; History; Women; Artists; Photographers; Actors; Costumes; Portraits; Portrait photographs; People associated with religion; Madonnas; Saints; Mothers; Children; Boys; Infants; Sitting; Breast feeding; Feeding;...

    • "The photographs in History Portraits are all Kodak C-prints, framed under Plexiglass, in a limited edition of six each" (p.62); wood frame (p.62).
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; History; Storytelling; Men; Women; Disfigured persons; Heads (Anatomy); Faces; Teeth; Hands; Gestures; Sitting; Standing; Nudes; Backs (Anatomy); Muscles; Punishment & torture; Violence; Ropes; Chains; Blood; Wounds...

    • Oil on heavy fabric, canvas; “ ‘My artwork is a process of storytelling—bringing and invoking the past and spirits and ancestors into people and environments. The society… has created an environment of mistrust… Everyone has to conform to...
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