Performance art; Video recording; Film stills; Men; Artists; Backs (Anatomy); Dance; Locomotion; Human locomotion; Geometry
"Carried out for the camera alone, Nauman's performances of the late 1960s often dealt with the artist's confinement in his studio. This was ironic given that elsewhere art was shrugging off its traditional solipsism and taking to the streets....
Performance art; Video recording; Film stills; Motion pictures; Fantasy; Women; Artists; Youth; Boys; Teenagers; Dancers; Dance; Recreation; Locomotion; Human locomotion; Walking; Clothing & dress; Trousers; Shirts; T-shirts; Shoes; Footwear;...
Videotape; 25 minutes, color, silent; "The idea that art can provide access to an artist's inner being is amusingly, and pointedly, repudiated here. Wearing is completely immersed in her own world. In the video, no soundtrack accompanies her...
Performance art; Video recording; Motion pictures; Film stills; Myths; Fairy tales; Allusions; Artificial limbs; Artists; Women; Hairstyles; Posing; Interiors; Rooms & spaces; Architectural elements; Walls; Windows
Film still from recorded performance. "Rebecca Horn's early performances involved her strapping surreal prostheses to her body or wearing elaborate costumes. The allusions to fairy tale and myth were unmistakable but rarely specific. Since...
Performance art; Film stills; Video recording; Motion pictures; Motion study photographs; Men; Artists; Performances; Locomotion; Human locomotion; Stools; Seating furniture; Furniture
Activity/performance, Acconci Studios, New York: "STEP PIECE (STEPS: STEPPING-OFF PLACE) / Apartment 6B, 102 Christopher Street, New York City / 1970 / Activity/Performance / 4 months (February, April, July, November); varying times each day /...
"Here the artist aspires to a metamorphosis which hints partly at mythology, partly at science fiction. However, with mock pathos, Barney's floppy ears and dual kiss-curls inadequately match up to the four horns of the ram which the video's...
