From caption: L'Europa dopo la pioggia (1940-41); from the Wadsworth Atheneum website (http://www.thewadsworth.org/) (11-2011): Max Ernst, Europe after the Rain, oil on canvas, 21 5/8 x 58 1/3 in., 1940-42, The Ella Gallup Sumner and Mary Catlin...
From caption: L'Europa dopo la pioggia (1940-41); from the Wadsworth Atheneum website (http://www.thewadsworth.org/) (11-2011): Max Ernst, Europe after the Rain, oil on canvas, 21 5/8 x 58 1/3 in., 1940-42, The Ella Gallup Sumner and Mary Catlin...
From caption: L'Europa dopo la pioggia (1940-41); from the Wadsworth Atheneum website (http://www.thewadsworth.org/) (11-2011): Max Ernst, Europe after the Rain, oil on canvas, 21 5/8 x 58 1/3 in., 1940-42, The Ella Gallup Sumner and Mary Catlin...
Architecture; Monuments; Monuments & memorials; Funerary facilities; Tombs & sepulchral monuments; Emperors; Rulers; People associated with politics & government; Military officers; Military personnel; People associated with military...
Photographs; Digital images; Digital photographs; Tableaux; Transparencies; Allegorical photographs; Allegories; War; Warfare; Politics & government; Political issues; Religion & politics; Religion; Military maneuvers; Military...
"This large, back-lit photographic transparency apparently shows soldiers killed in mid-action. The scene was actually mocked up by digitally manipulating images. In a tableau worthy of a ghoulish horror film, a young Moslem (center left)...
From the Wadsworth Atheneum website (http://www.thewadsworth.org/) (11-2011): Max Ernst, Europe after the Rain, oil on canvas, 21 5/8 x 58 1/3 in., 1940-42, The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund
Panel from Gods of the Modern World series. "Orozco moved closer to the Expressionists in spirit, at first working in the stylized, sculpturesque manner of [Ernst] Barlach, before later adopting the more dynamic and fluid forms of El Greco,...
"Picasso did forty-five studies for Guernica. The one illustrated here shows the dying horse and the mother with the dead child. They have been changed in the final painting, although they retain their basic character. The Cubist neck of the...
Paintings; Oil paintings; Civil wars; War; Politics & government; Political issues; Dictators; Nazis; Fascism; Civilization; Bombings; Military tactics; War destruction & pillage; Death; Dismemberment; Body parts; Mental states; Despair;...
"In this monumental work of 1937, Guernica, Picasso combined Analytic and Synthetic Cubist forms with several traditional motifs, juxtaposing them in a new Surrealist way. The combination serves the political message of the painting - namely,...
Mixed media; Paintings; Acrylic paintings; Photographs; War; Bombings; War damage; Destruction & pillage; War destruction & pillage; Architecture; Buildings; Men; Soldiers; Military personnel; People associated with military activities;...
Fabric, glue, water-based ink and acrylic resin on canvas, two cushions.
Equipment; Steel, High strength; Steel, Heat resistent; United States--Civil War, 1861-1865--Destruction & pillage
E. Moliter, noted Civil War lithographer, drew this image of the hook used by Sherman's Army on the March to the Sea (1864) and Campaign of the Carolina's (1865), for twisting and destroying railroad iron. Many of Moliter's illustrations were drawn...
