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  • Subject: Discrimination
(49 results)



Display: 20

    • Oral history interview with Ruth Bryant.

    • Oral history interview with Ruth Bryant.

    • African Americans--Education (Elementary); African Americans--Education (Higher); National Training School for Women and Girls (Washington, D.C.); Fisk University; Howard University; African Americans; Race relations; Civil rights; African...

    • Oral history interview conducted with Ruth Bryant on July 24, 1977 by Kenneth L. Chumbley. Mrs. Bryant, a community activist, primarily discusses her involvement in community organizing and political activism during the 1960’s in Louisville. ...
    • Oral history interview with Maurice Rabb.

    • Oral history interview with Maurice Rabb.

    • African Americans; African American physicians; African Americans--Hospitals; African Americans--Social conditions; African Americans--Education; Segregation in education; African Americans--Medical care; Hospitals; Medical education; Race...

    • Oral history interview with Louisville physician Maurice Rabb. Dr. Rabb discusses his early life and education in Mississippi. He speaks of his experiences as a student at Fisk University in Nashville, Tennessee, comparing race relations in his...
    • Oral history interview with Louise Reynolds.

    • Oral history interview with Louise Reynolds.

    • African Americans; African American politicians; African American businesspeople; African American business enterprises; Women politicians; Civil rights; Louisville (Ky.)--Politics and government; Politicians; Integration; Discrimination in housing

    • Oral history interview conducted with Louise Reynolds on June 13, 1979 by Mary Bobo. Louise Reynolds was the first African American woman elected alderman in the city of Louisville. Ms. Reynolds discusses her work with the Republican Party,...
    • Oral history interview with James Shively.

    • Oral history interview with James Shively.

    • African Americans; African Americans--Education; African Americans--Social conditions; Louisville Municipal College for Negroes (Louisville, Ky.); Central High School (Louisville, Ky.); Kappa Alpha Psi Fraternity; African Americans--Employment;...

    • Oral history interview conducted with James Shively on December 18, 1978 by Dwayne Cox. Mr. Shively focuses largely on his education in Louisville, at Louisville Central High School and the Louisville Municipal College, in the 1930s and 1940s. He...
    • Oral history interview with Murray Atkins Walls and John Walls.

    • Oral history interview with Murray Atkins Walls and John Walls.

    • African Americans; Race relations; Civil rights demonstrations; Civil rights; Louisville Free Public Library; Girl Scouts; Libraries; Integration; African Americans--Social conditions

    • Oral history interview with Murray Atkins Walls and John Walls, conducted July 27, 1977 by Dwayne Cox. Most of the interview focuses on Murray Atkins Walls, although her husband, John Walls, is also an active participant. They were both involved in...
    • Oral history interview with Amelia Ray.

    • Oral history interview with Amelia Ray.

    • African Americans; African Americans--Social conditions; African Americans--Education; Segregation in education; Race relations; Louisville Municipal College for Negroes (Louisville, Ky.); University of Louisville; Civil rights

    • Oral history interview with Mrs. Amelia Ray, conducted on August 25, 1978 by Kenneth Chumbley. Mrs. Ray discusses her early life and upbringing in Tennessee as well as her life in Louisville. Mrs. Ray moved to Louisville in 1934 and attended...
    • Oral history interview with Mae Street Kidd.

    • Oral history interview with Mae Street Kidd.

    • African Americans; Civil rights demonstrations; Race relations; Public relations; Discrimination in housing; Housing; African American legislators; Insurance agents; Women legislators; African American legislators; Kentucky--Politics and...

    • Oral history interview conducted with legislator Mae Street Kidd on October 10, November 11, and December 5, 1978 by Ken Chumbley. Ms. Kidd discusses her life, including her childhood growing up in Bourbon County. Kidd attended the Lincoln...
    • Guarded Conditions.

    • Guarded Conditions.

    • Photographs; Photographic prints; Instant camera photographs; Dye diffusion transfer prints; Plaques; Mixed media; Social aspects; Social values; Ethnic stereotypes; Stereotyping; Discrimination; Women; Backs (Anatomy); Standing; Clothing &...

    • "The viewer of Lorna Simpson's works is compelled to shuttle between texts and images in order to construct meanings. The use of text-image conjunctions was a major component of 1980s photographic process. In Britain Victor Burgin's teaching...
    • What Big Muscles You Have!

    • What Big Muscles You Have!

    • Language; Slogans; Inscriptions; Lettering (Layout features); Punctuation; Graphic design; Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values; Political issues; Discrimination;...

    • "Barbara Kruger, rather than making her own photographs, has combined found media imagery involving the male gaze and its various hidden projections of personal power with brief texts of her own devising. Sometimes by reinforcement of the...
    • Untitled.

    • Untitled.

    • Exhibitions; Art exhibitions; Exhibition facilities; Exhibition buildings; Galleries (Display spaces); Galleries & museums; Commercial art galleries; Rooms & spaces; Interiors; Walls; Ceilings; Floors; Photographs; Screen prints; Prints;...

    • Installation at the Mary Boone Gallery, New York, 5-26 January 1991. Photographic silkscreen on paper, floor lettering vinyl paint, dimensions variable according to location.
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • The Perception of Presence.

    • The Perception of Presence.

    • Sculpture; Mixed media; Men; Young adults; Discrimination; Race discrimination; Racism; Prejudice; Cultural relations; Social classes; Social aspects; Interpersonal relations; Fear

    • Earth, linen cloth, and wood, and recorded interviews; “ ‘My godson’s experience stimulated this piece. He’s grown up in Greenwich Village and one evening while out with his friends the police swooped down upon them. They were thrown...
    • The Liberation of Aunt Jemima.

    • The Liberation of Aunt Jemima.

    • Mixed media; Sculpture; Political issues; Discrimination; Race discrimination; Racism; Prejudice; Ethnic stereotypes; Stereotyping; Caricatures; Cultural relations; Civil rights; Social classes; Social aspects; Advertisements; Advertising;...

    • “The social, political, and spiritual terrain of Saar’s work incorporates found objects, personal family memorabilia, and other materials. In this work, using the familiar and derogatory image of Aunt Jemimah, Saar transforms the stereotype...
    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Paintings; Acrylic paintings; Mixed media; Quilts; Textiles; Textile art; Sewing; Needlework; Embroidery; Books; Storytelling; Inscriptions; Lettering (Layout features); Punctuation; Question marks; Names; Fantasy; Fictitious characters; Memorial...

    • "A moving tribute to her mother, this work combines the personal and the political. The quilt includes a narrative - the witty story of the family of Aunt Jemima, most familiar as the stereotypical black 'mammy' but here a successful African...
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