Address: 1100 Logan Street, Louisville, Kentucky. View of a building on the corner of St. Catherine and Logan Streets. A sign painted near the top of the brick building reads "Bread." The rest of the brick wall sign is illegible. There...
Address: 2595 S. 4th Street, Louisville, Kentucky. Abandoned building, possibly formerly National Steel Service Center, Inc. Ghost sign has been painted over in red. Building also includes contemporary graffiti and closed up windows/portals.
Acting; Cleage, Pearl--Characters--Leland Cunningham; Cleage, Pearl. Blues for an Alabama Sky
This thesis examines my preparation for performing Leland Cunningham in Blues for an Alabama Sky by Pearl Cleage. Using the motif of personal expectations, I explore how my ideas of performance have become unbalanced. I evaluate the origin of these...
Hip hop; Rap (Music); Alternative rock music; Geeks (Computer enthusiasts); Indie culture
In his documentary entitled, Nerdcore For Life, director Dan Lamoureux described Nerdcore as a "powerful social collision between hip hop and geek culture". Born on the Internet, Nerdcore Hip-Hop is rap music made by geeks, for geeks and...
Buildings; Canopies; Utility poles; Atherton Building (Louisville, Ky.)
Original address: 610 S. Fourth Street (Later known as the Francis Building.) The Atherton Building is shown with Southern Optical Co. sign on the corner, but most other storefronts empty. There's graffiti on the window next to Southern Optical and...
Due to of the rise in numbers of persons experiencing homelessness, communities are working to restrict access that homeless individuals have to public spaces. Many cities across the nation have criminalized aspects of homelessness in attempts to...
This study examined intake and post-investigative disposition decision making among professionals engaged in child protective services to understand disproportionality and disparities in the child welfare system. Using child welfare, decision...
Parks, Suzan-Lori. In the blood; Theaters--Stage-setting and scenery
From the moment the audience enters the auditorium the play is a mystery. They are looking for clues as to the nature of the story in which they are about to participate. The designer's job is to select what these clues are. How does the designer...
This paper explores issues of identity and difference in art and its institutions through a historiographic study of two landmark exhibitions, "The Other Story: Afro-Asian Artists in Post-War Britain" (1989) and the 1993 Whitney Biennial....
Adjustment (Psychology) in old age; Aging; Elderly poor; Nursing home patients
BACKGROUND: Current successful aging theory excludes individuals with disease or
disability, limits the potential for successful aging in minority and lower socioeconomic
populations, focuses on behavioral determinants of health rather than social...
Fear of crime--Kentucky--Louisville; University of Louisville; College students--Crimes against--Kentucky--Louisville
Feelings of fear on a college campus are driven by physical characteristics of a specific location as well as the demographics and past experiences of those visiting these locations. Factors such as gender, residency, race, age, class status, and...
Address: 946 Goss Avenue, Louisville, Kentucky. Side view of building with illegible brick wall sign, along with two pieces of graffiti. A ramp leads to the back of the antique store.
Acrylic and oil paintstick on canvas; “Basquiat emerged as an artist in the 1980s, when the cultural mix included drugs, on which he eventually overdosed, hip hop, rap, and graffiti. His works, compact with codes that expose the nature of power...
Paintings; Acrylic paintings; Mixed media; Graffiti; Poetry; Inscriptions; Music; Jazz; Portraits; Group portraits; Men; Musicians; Jazz musicians; Composers; Celebrities; People associated with entertainment & sports; Clothing & dress;...
"Although savvy enough to take [Robert] Rauschenberg and [Jasper] Johns as models, as well as to avoid the subways, Basquiat teamed up with a fellow dropout, Al Diaz, and headed for SoHo, where the art world soon knew the pair through their...
"The Hungarian-born photographer Brassai (Gyula Halasz) moved to Paris in the early 1920s and became friendly with avant-garde figures such as Picasso. In the 1920s and 1930s he photographed the low life of the city, deeply influenced by a...
