School yearbooks; Schools; Students; University of Louisville--Students; Alumni & alumnae; University of Louisville--Alumni and alumnae; Student organizations; Universities & colleges; Medical students; Law students; Dental students; Music...
Publication of the University of Louisville, Louisville, Kentucky, 1968.
Illustrations; Book illustrations; Frontispieces; Books; Literature; Catalogs; Exhibition catalogs; Inscriptions; Lettering (Layout features); Graphic design; Artists' signatures; Names; Heads (Anatomy); Faces; Cliffs; Rocks; Bodies of water
"L'Androgyne" (The Hermaphrodite) by Josephin Peladan, Part VIII of "L'Ethopee" or "La Decadence latine," frontispiece. Illustration from the catalogue of the Salon de la Rose Croix, Galerie Durand-Ruel, Paris, 1892.
"Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
Mixed media textiles--Kentucky--Louisville--Exhibitions; Mixed media painting--Kentucky--Louisville--Exhibitions
My work focuses on repurposing historic images and feminine objects to create a contemporary dialogue about the traditions of courtship, marriage and divorce. The use of textiles and feminine objects such as doilies, lace, slips and wallpaper serve...
This set of woodblock prints was reprinted in the 1980s. With the exception of the word "AND" and the circular image of a house on an urban street, the images duplicate the earlier prints in this collection. Woodblock prints of, from left...
Woodblock prints of, clockwise from left: frame signed "Waggoner& Bosse SC: Louisville" (sideways); elaborate corner design signed "Waggoner & Boss SC. Louisville."; number 33; monogram for "R.E.L.", with...
Zimmerman, Leo W., 1924–2008; Art, Abstract--Kentucky--Louisville; Kinetic art--Kentucky--Louisville; Mural painting and decoration, American--Kentucky--Louisville
Leo Zimmerman is a contradiction: A man who was both highly collaborative and deeply influential in the Louisville art scene but was a misanthrope who became increasingly reclusive over the years. He produced prolifically yet chose to never sell...
School yearbooks; Schools; Students; Alumni & alumnae; University of Louisville--Students; University of Louisville--Alumni and alumnae; Student organizations; Universities & colleges; College students; University of Louisville--Sports
Catalog of an exhibition about modern graphic design presented by the University of Louisville, Allen R. Hite Art Institute, October 3-November 11, 1960.
Allen R. Hite Art Institute; Drawings; Graphic design; Paintings; Prints; Sculpture
Catalog of an exhibition of new acquisitions for the University Art Collection, presented by the University of Louisville, Allen R. Hite Art Institute, October 25-November 22, 1955.
Museum exhibits; Art--Study and teaching (Elementary); Color in art
Color is an important part of art and life, which can be utilized by the museum educator to engage visitors with the art. For the museum educator, development of appropriate programs and activities to meet the needs of their audience is a central...
School yearbooks; Schools; Students; University of Louisville--Students; Alumni & alumnae; University of Louisville--Alumni and alumnae; Student organizations; Universities & colleges; Medical students; Law students; Dental students; Music...
A publication of the University of Louisville, Louisville, Kentucky, 1972.
The hurried aspects of daily living exhaust me. Speed is the operative word. Apparently everyone wants more of it. Not me. While I value the innovations that speed up my onerous tasks, in my artwork I am attracted to its opposite--repose. I try to...
Visual learning; Animated films--Japan; Motion pictures in education; Audio-visual education
Our contemporary culture is laden with a glut of visual stimuli: advertising, packaging, television, film, the internet, digital-camera-wireless-web-access-mobile-phones. In a world filled with visually rhetorical media, it is imperative that the...
