UofL Libraries Digital Collections

John P. Morton & Co. Woodblock Prints, Sheet 32-1.
Trees; Towers; Flowers; Indigenous peoples; Animals
Woodblock prints of, from left to right starting at top left: trees; tower, with people and animals in busy courtyard; geometrical figure of circle with two lines, a bisected equilateral triangle, and two dark patches contained within; number 32;...
John P. Morton & Co. Woodblock Collection

Untitled.
Paintings; Oil paintings; Acrylic paintings; Screen prints; Prints; Mixed media; Graffiti; Animals; Cats; Women; Nudes; Nudism; Breasts; Genitals; Births; Indigenous peoples; Silhouettes; Hairstyles; Gestures; Vehicles; Automobiles; Vehicle...
Acrylic, silkscreen and oilstick on canvas.
Visual Resources Center Digital Image Collection

Where Do We Come From? What Are We? Where Are We Going?, detail, left side, two women and statue.
Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Women; Adults; Older people; Nudes; Breasts; Clothing & dress; Bracelets; Jewelry; Gestures; Sitting; Leisure; Social life; Sculpture; Idols;...
Oil on sackcloth.
Visual Resources Center Digital Image Collection

Death Struggle.
Paintings; Oil paintings; Men; Trappers; Indigenous peoples; Enemies; Clothing & dress; Shirts; Feathers; Jewelry; Necklaces; Earrings; Body painting; Beards; Mustaches; Fear; Falling; Riding; Sitting; Horseback riding; Hunting; Hugging;...
Visual Resources Center Digital Image Collection

Death of Jane McCrea.
Paintings; Oil paintings; Revolutions; War; Homicides; Scalping; Death; Men; Warriors; Indigenous peoples; Women; Prisoners; Prisoners of war; Captives; Adults; Young adults; Locomotion; Human locomotion; Fear; Clothing & dress; Dresses;...
Visual Resources Center Digital Image Collection

The American Indian (Russell Means).
Paintings; Acrylic paintings; Men; Adults; Indigenous peoples; Activists; Actors; Musicians; Entertainers; People associated with entertainment & sports; Authors; Celebrities; Clothing & dress; Necklaces; Neckwear; Jewelry; Hairstyles
Visual Resources Center Digital Image Collection

The American Indian (Russell Means).
Prints; Screen prints; Portraits; Portrait prints; Paintings; Acrylic paintings; Portrait paintings; Mixed media; Men; Adults; Indigenous peoples; Activists; Actors; Musicians; Entertainers; People associated with entertainment & sports;...
Silkscreen ink on synthetic polymer paint on canvas.
Visual Resources Center Digital Image Collection

To Beauty.
Oil paintings; Paintings; Portrait paintings; Portraits; Self-portraits; Artists; Painters (Artists); Prostitutes; Dancers; Dance; Couples; Musicians; Women; Men; Adults; Sitting; Standing; Holding hands; Posing; Smiling; Clothing & dress;...
Visual Resources Center Digital Image Collection

Crossing the Barranca, [The History of Cuernavaca and Morelos], mural detail, Palacio de Cortes, Cuernavaca, Mexico.
Murals; Paintings; Details; Storytelling; History; Indigenous peoples; Ethnic groups; Campaigns & battles; Escapes; Men; Warriors; Soldiers; Military personnel; People associated with military activities; Clothing & dress; Costumes;...
Visual Resources Center Digital Image Collection

Bedia's Stirring Wheel.
Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...
"Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
Visual Resources Center Digital Image Collection

Where Do We Come From? What Are We? Where Are We Going?, detail, left 2/3 of painting.
Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry; Gestures;...
"Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
Visual Resources Center Digital Image Collection

Where Do We Come From? What Are We? Where Are We Going?
Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...
"Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
Visual Resources Center Digital Image Collection

Where Do We Come From? What Are We? Where Are We Going?
Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...
Visual Resources Center Digital Image Collection

Where Do We Come From? What Are We? Where Are We Going?
Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...
Visual Resources Center Digital Image Collection

A Social History of the State of Missouri series, Pioneer Days and Early Settlers, mural, State Capitol, Jefferson City, Missouri.
Architecture; Capitols; Government facilities; Office buildings; Buildings; Interiors; Walls; Doors & doorways; Architectural decorations & ornaments; Architectural elements; Paintings; Murals; History; Cultural relations; Social science;...
Visual Resources Center Digital Image Collection

DIGITAL COLLECTIONS

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