Mixed media; Paintings; Acrylic paintings; Photographs; War; Bombings; War damage; Destruction & pillage; War destruction & pillage; Architecture; Buildings; Men; Soldiers; Military personnel; People associated with military activities;...
Fabric, glue, water-based ink and acrylic resin on canvas, two cushions.
Mixed media; Sculpture; Political issues; Discrimination; Race discrimination; Racism; Prejudice; Ethnic stereotypes; Stereotyping; Caricatures; Cultural relations; Civil rights; Social classes; Social aspects; Advertisements; Advertising;...
“The social, political, and spiritual terrain of Saar’s work incorporates found objects, personal family memorabilia, and other materials. In this work, using the familiar and derogatory image of Aunt Jemimah, Saar transforms the stereotype...
Paintings; Mixed media; Women; Nudes; Beauty; Aesthetics; Body image; Human body; Body parts
Corps de Dames series, 1950; "Child art, which had been a major source of interest for early twentieth-century modernists such as Joan Miró or Paul Klee, was a source here. This was annexed to an adult desire to recover primordial fantasies...
Post-Partum Document, 1983 [book]. From Documentation I, Analysed Faecal [Fecal] Stains and Feeding Charts (prototype), [work produced] 1974. "One of the oldest themes of Western art, mother and child, was ironically made compatible with...
"A moving tribute to her mother, this work combines the personal and the political. The quilt includes a narrative - the witty story of the family of Aunt Jemima, most familiar as the stereotypical black 'mammy' but here a successful African...
Sculpture; Mixed media; Men; Young adults; Discrimination; Race discrimination; Racism; Prejudice; Cultural relations; Social classes; Social aspects; Interpersonal relations; Fear
Earth, linen cloth, and wood, and recorded interviews; “ ‘My godson’s experience stimulated this piece. He’s grown up in Greenwich Village and one evening while out with his friends the police swooped down upon them. They were thrown...
Bronze and wool; “[Riboud’s] sculptures are studies in opposites—soft vs. hard, black vs. white. Her use of contrasting materials, bronze and silk cording or bronze and wood, is an extension of this exploration.” (caption, p.80)
Oil on canvas with aluminium [aluminum]; [this photo taken at the Whitney Museum of American Art, New York; painting now at The Museum of Modern Art (MoMA), New York].
Excerpt from Claes Oldenburg and Coosje van Bruggen website (http://oldenburgvanbruggen.com/) regarding the sculpture shown here: Soft Shuttlecock. Collection Solomon R. Guggenheim Museum. Partial Gift, Claes Oldenburg and Coosje van Bruggen, New...
Excerpt from Claes Oldenburg and Coosje van Bruggen website (http://oldenburgvanbruggen.com/) regarding the sculpture shown here: Soft Shuttlecock. Collection Solomon R. Guggenheim Museum. Partial Gift, Claes Oldenburg and Coosje van Bruggen, New...
