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  • Subject: Social justice
(19 results)



Display: 20

    • Chicano murals, Estrada Courts Housing Project, East Los Angeles.

    • Chicano murals, Estrada Courts Housing Project, East Los Angeles.

    • Murals; Paintings; Ethnic groups; Ethnic neighborhoods; Social aspects; Social classes; Minorities; Neighborhoods; Residential facilities; Housing; Buildings; Dwellings; Walls; Men; Women; Couples; Spouses; Children; Boys; Girls; Youth; Artists;...

    • By "various hands." (Lucie-Smith, p.448). The following information is from the Mural Conservancy of Los Angeles: THE MURALS OF ESTRADA COURTS web page (http://www.lamurals.org/MuralFiles/ELA/EstradaCourts.html), accessed February 1,...
    • Dead (Tote) from October 18, 1977.

    • Dead (Tote) from October 18, 1977.

    • Paintings; Oil paintings; Photographs; Activists; Left-wing extremists; Terrorists; Dead persons; Death; Suicides; Social justice; Political issues; Politics & government; Protest movements; Opposition (Political science); Student movements;...

    • "[…] the German painter Gerhard Richter […] looked back mournfully on painting's loss of public function in his October 18, 1977 (1988), a cycle of 15 paintings which mimicked the appearances of blurred black-and-white photographs. Richter...
    • Five Car Stud.

    • Five Car Stud.

    • Sculpture; Tableaux; Night; Violence; Terrorism; Punishment & torture; Race discrimination; Discrimination; Race relations; Racism; Social aspects; Interpersonal relations; Social justice; Social values; Minorities; Ethnic groups; Men; Women;...

    • Tableau: cars, plaster casts, guns, rope, masks, chainsaw, clothing, oil pan with water and plastic letters, paint, polyester resin, styrofoam rocks, and dirt; "Ruthlessly forgoing aesthetic or metaphorical niceties, Keinholz's grotesquely...
    • Little Race Riot.

    • Little Race Riot.

    • Prints; Screen prints; Paintings; Acrylic paintings; Mixed media; Disasters; Tragedies; Violence; Police brutality; Protest movements; Riots; Riots & demonstrations; Race riots; Demonstrations; Civil rights demonstrations; Civil rights; Civil...

    • Silkscreen ink on synthetic polymer paint on canvas. [Adapted from a photograph by journalist Charles Moore.]
    • Mustard Race Riot.

    • Mustard Race Riot.

    • Prints; Screen prints; Paintings; Acrylic paintings; Mixed media; Disasters; Tragedies; Violence; Police brutality; Protest movements; Riots; Riots & demonstrations; Race riots; Demonstrations; Civil rights demonstrations; Civil rights; Civil...

    • Silkscreen ink on synthetic polymer paint on canvas. [Adapted from photographs by journalist Charles Moore.]
    • Red Race Riot.

    • Red Race Riot.

    • Prints; Screen prints; Paintings; Acrylic paintings; Mixed media; Disasters; Tragedies; Violence; Police brutality; Protest movements; Riots; Riots & demonstrations; Race riots; Demonstrations; Civil rights demonstrations; Civil rights; Civil...

    • Acrylic and silkscreen on linen.
    • Red Race Riot.

    • Red Race Riot.

    • Prints; Screen prints; Paintings; Acrylic paintings; Mixed media; Disasters; Tragedies; Violence; Police brutality; Protest movements; Riots; Riots & demonstrations; Race riots; Demonstrations; Civil rights demonstrations; Civil rights; Civil...

    • Silkscreen ink on synthetic polymer paint on canvas. Adapted from a photograph by journalist Charles Moore.
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled.

    • Untitled.

    • Exhibitions; Art exhibitions; Exhibition facilities; Exhibition buildings; Galleries (Display spaces); Galleries & museums; Commercial art galleries; Rooms & spaces; Interiors; Walls; Ceilings; Floors; Photographs; Screen prints; Prints;...

    • Installation at the Mary Boone Gallery, New York, 5-26 January 1991. Photographic silkscreen on paper, floor lettering vinyl paint, dimensions variable according to location.
    • What Big Muscles You Have!

    • What Big Muscles You Have!

    • Language; Slogans; Inscriptions; Lettering (Layout features); Punctuation; Graphic design; Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values; Political issues; Discrimination;...

    • "Barbara Kruger, rather than making her own photographs, has combined found media imagery involving the male gaze and its various hidden projections of personal power with brief texts of her own devising. Sometimes by reinforcement of the...
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