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Display: 20

    • The First Days of Spring.

    • The First Days of Spring.

    • Paintings; Oil paintings; Collages; Fantasy; Symbols; Sex; Lust; Relations between the sexes; Psychotherapy; Psychiatry; Fear; Disgrace; Anxiety; Distress; Solitude; Loneliness; Spring; Men; Women; Children; Girls; Older people; Fathers; Couples;...

    • "The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
    • 20/50.

    • 20/50.

    • Rooms & spaces; Windows; Industrialization; Industrial facilities; Industry; Deterioration; Building deterioration

    • Installation: used sump oil, steel; "The oil uncannily mirrors the ceiling of the gallery, leaving the spectator, figuratively speaking, in mid-air. Although currently installed in the Saatchi Gallery, the work was originally located in Matt's...
    • House.

    • House.

    • Sculpture; Houses; Row houses; Dwellings; Residential facilities; Walls; Symbols; Neighborhoods; Working class; Demolition

    • "Rachel Whiteread's House revived a taste for outrage previously brought to the fore in Britain by the Tate Bricks saga. Before its completion in October 1993 it had attracted little press interest. In November of that year, however, a...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Girl from Figueres.

    • Girl from Figueres.

    • Paintings; Oil paintings; Women; Backs (Anatomy); Clothing & dress; Hairstyles; Hair ornaments; Leisure; Domestic life; Sewing; Scissors & shears; Thread; Sitting; Chairs; Seating furniture; Furniture; Architecture; Architectural elements;...

    • "The view from the balcony of the Dalis' second home in Figueres, at Carrer Monturiol 24. This was the painting Dali showed Picasso on his first visit to Paris in April 1926." (Caption); "The building, today numbered Monturiol, 10,...
    • The Madonna of Port Lligat.

    • The Madonna of Port Lligat.

    • Paintings; Oil paintings; Symbols; Catholicism; Christianity; Women; Spouses; Mothers; Saints; Children; Infants; People associated with religion; Sitting; Floating; Prayer; Clothing & dress; Hairstyles; Thrones; Chairs; Seating furniture;...

    • First version; "Dali's atomic variation on the Assumption, with Gala as tutelary goddess of Port Lligat." (Caption); Dali's first 'religious painting', designed to ingratiate himself with Church and State, was The Madonna of Port Lligat,...
    • Outskirts of the Paranoiac-Critical Town.

    • Outskirts of the Paranoiac-Critical Town.

    • Paintings; Oil paintings; Fantasy; Symbols; Fear; Anxiety; Lust; Sex; Invitations; Gestures; Locomotion; Human locomotion; Women; Portraits; Spouses; Children; Girls; Clothing & dress; Shirts; Necklaces; Neckwear; Jewelry; Dresses; Cities &...

    • "The painting belonged to Edward James. The 'paranoiac-critical town' is composed of elements principally from Cadaqués and Palamós." (Caption); "The reference was to Outskirts of the Paranoiac-Critical Town, one of Dali's finest...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Cremaster 4, film still from video.

    • Cremaster 4, film still from video.

    • Film stills; Motion pictures; Video recording; Storytelling; Fantasy; Myths; Science fiction; Metamorphosis; Supernatural; Supernatural beings; Heroes; Dandies; Men; Ears; Clothing & dress; Suits (Clothing); Corsages

    • "Here the artist aspires to a metamorphosis which hints partly at mythology, partly at science fiction. However, with mock pathos, Barney's floppy ears and dual kiss-curls inadequately match up to the four horns of the ram which the video's...
    • Typology of Water Towers (groups A, B, C, and D).

    • Typology of Water Towers (groups A, B, C, and D).

    • Photographs; Architecture; Buildings; Industrial facilities; Water towers; Towers; Hydraulic facilities; Reservoirs; Waterworks; Architectural elements; Walls; Windows; Structural elements; Structural frames

    • One of six suites of nine photographs. "The Bechers' photographs of industrial structures, which they began in 1959, belong to the genres of documentary photography, sculpture, and industrial archaeology simultaneously, as well as having...
    • Made in Heaven, detail, Koons and Cicciolina.

    • Made in Heaven, detail, Koons and Cicciolina.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • Made in Heaven.

    • Made in Heaven.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • Vagina Painting.

    • Vagina Painting.

    • Performance art; Performances; Women; Artists; Painting; Brooms & brushes; Blood; Bodily functions; Anatomy; Genitals; Human body

    • "Retrospectively this performance reads as a proto-feminist riposte to Yves Klein's usurpation of the female 'trace' of five years earlier [Anthropometries of the Blue Age, performance, 9 March 1960]." (Caption, p.105); "[…] Fluxus...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Loop My Loop.

    • Loop My Loop.

    • Sculpture; Photographs; Mixed media; Allusions; Symbols; Hair; Body parts; Animals

    • "In the decade before her premature death in 1996, Chadwick developed an iconography which has links with the thought of Georges Bataille […] In Nostalgie de la Boue (1990) two rounded cibachrome transparencies were hung one above the other....
    • Hand Catching Lead, film still.

    • Hand Catching Lead, film still.

    • Film stills; Motion pictures; Processes & techniques; Time; Falling; Metals; Hands; Fingers; Body parts; Locomotion; Human locomotion

    • "This 3-minute 30-second film, like others produced by Serra in the same year, related to a famous 'verb list' which he compiled in 1967-8. The verb involved in this instance is 'to grasp' but the list also included 'to roll, to crease, to...
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