Excerpts from catalog entry, p.336: Abb. Im Reprint des Kataloges, S.357; Öl auf Pappe; Bez. u.l.: Kandinsky 1909; Tage Bertoldy och Greta Hobroh's Stiftelse, Trelleborg; Gezeigt auf der 1. NKVM-Ausstellung 1909, Nr.43.
Maps; Cities & towns; City walls; Walls; Hills; Forums; Buildings; Temples; Religious facilities; Huts; Dwellings; Rivers; Bodies of water
1) Walls of Servius Tullius 2) Quirinal 3) Viminal 4) Cispius 5) Esquiline 6) Oppian 7) Caelian 8) Aventine 9) Palatine 10) Capitol 11) Temple of Jupiter on the Capitol 12) Volcanal 13) Temples of Fortuna and the Mater Matuta 14) Forum Boarium 15)...
Architecture; Hills; Buildings; Social & civic facilities; Markets; Mercantile facilities; Commercial facilities; Business districts; Business enterprises; Business & finance; Commerce; Stores & shops; Dwellings; Housing;Towers;...
Shows the buildings into which the complex was subdivided: 1. Main Hall, 2. Central Block, 3. Giardino delle Milizie and Torre delle Milizie, 4. Insula of the Salita del Grillo, 5. Via Biberatica, 6. Great Hemicycle and rooms at the ends of the...
Paintings; Oil paintings; Mixed media; Fantasy; Children; Girls; Youth; Dresses; Men; Adults; Locomotion; Human locomotion; Loss of consciousness; Running; Lifting & carrying; Birds; Animals; Flying; Architecture; Architectural elements;...
From the MOMA website (http://www.moma.org) (11-2011): Two Children Are Threatened by a Nightingale / Max Ernst (French, born Germany. 1891-1976) / 1924. Oil on wood with painted wood elements and frame, 27 1/2 x 22 1/2 x 4 1/2" (69.8 x 57.1 x...
From caption: C'est le chapeau qui fait l'homme / collage; from the MOMA website (http://www.moma.org) (11-2011): The Hat Makes the Man / Max Ernst (French, born Germany. 1891-1976) (1920). Gouache, pencil, oil, and ink on cut-and-pasted printed...
From caption: L'Elephant Celebes; from the Tate Gallery website (http://www.tate.org.uk) (11-2011): Inscribed 'max ernst 1921' b.l., 'Celebes' b.r. and 'No. 1. MAX ERNST | CELEBES' on back of canvas / Oil on canvas, 49 3/8 x 44 (125.5 x 108)
Paintings; Oil paintings; Mixed media; Fantasy; Children; Girls; Youth; Dresses; Men; Adults; Locomotion; Human locomotion; Loss of consciousness; Running; Lifting & carrying; Birds; Animals; Flying; Architecture; Architectural elements;...
From caption: 2 enfants sont menaces par un rossignol; from the MOMA website (http://www.moma.org) (11-2011): Two Children Are Threatened by a Nightingale / Max Ernst (French, born Germany. 1891-1976) / 1924. Oil on wood with painted wood elements...
From the MOMA website (http://www.moma.org/) (11-2011): Bed / Robert Rauschenberg (American, 1925-2008) / 1955. Oil and pencil on pillow, quilt, and sheet on wood supports, 6' 3 1/4" x 31 1/2" x 8" (191.1 x 80 x 20.3 cm). Gift of Leo...
Paintings; Oil paintings; Mixed media; Fantasy; Children; Girls; Youth; Dresses; Men; Adults; Locomotion; Human locomotion; Loss of consciousness; Running; Lifting & carrying; Birds; Animals; Flying; Architecture; Architectural elements;...
Oil on wood with wood construction; from the MOMA website (http://www.moma.org) (11-2011): Two Children Are Threatened by a Nightingale / Max Ernst (French, born Germany. 1891-1976) / 1924. Oil on wood with painted wood elements and frame, 27 1/2 x...
Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...
"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...
"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
