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  • : on 1941
(281 results)



Display: 20

    • Cowgirls, 1941.

    • Cowgirls, 1941.

    • Women; Costumes; Cowgirls

    • Photograph of a photograph of two young women sitting on a bench in a studio wearing cowgirl uniforms. Both wear hats, vests, skirts, and cowboy boots. Title supplied by cataloger.
    • Leopold Hall.

    • Leopold Hall.

    • Buildings; University of Louisville--Buildings; Barracks; Dormitories; Columns; Trees

    • Front entrance, including columns, of Leopold Hall. The building is partially obscured by leafy trees. The end of another barracks building is visible on side of the image. Leopold Hall was one of the Naval Barracks and was moved to accommodate...
    • Menges Hall, circa 1953.

    • Menges Hall, circa 1953.

    • Buildings; University of Louisville--Buildings; Barracks; Offices; University of Louisville. School of Business; Dormitories

    • Entrance to Menges Hall, one of the Naval Barracks. The entrance includes faux columns. There are trees in the foreground, without leaves. "First home of the School of Business, University of Louisville, 1953-54." This building was moved...
    • Menges Hall, before 1953.

    • Menges Hall, before 1953.

    • Buildings; University of Louisville--Buildings; Barracks; Dormitories; University of Louisville. School of Business; Southern Police Institute

    • Menges Hall, a former barracks building used for various purposes by the University of Louisville. The side of the building is fully visible; part of another barracks building is visible behind it. A Gulf Oil sign rises above it in the rear. The...
    • Chi Omega sorority house, 2012.

    • Chi Omega sorority house, 2012.

    • Buildings; University of Louisville--Buildings; Fraternities & sororities; Student housing;

    • Chi Omega sorority, seen from the back. Current uses: Housing for sorority since 1970. Named in honor: Named Zelma Karr Jenks Home Management Building in 1951, in honor of Zelda Karr Jenks, who served as head of Home Economics from 1923 to 1941....
    • Chi Omega sorority house, 2012.

    • Chi Omega sorority house, 2012.

    • Buildings; University of Louisville--Buildings; Model houses; Educational facilities;

    • Chi Omega Sorority house, with University Towers Apartments in the background. Current uses: Housing for sorority since 1970. Named in honor: Named Zelma Karr Jenks Home Management Building in 1951, in honor of Zelda Karr Jenks, who served as head...
    • Leopold Hall, with men in Navy uniforms, 1948.

    • Leopold Hall, with men in Navy uniforms, 1948.

    • Buildings; University of Louisville--Buildings; Men; Student housing; Navy V-12 Program (U.S.); United States. Navy. Reserve Officers' Training Corps; Military uniforms

    • A double line of men in white Navy uniforms (presumably Navy ROTC students) marches in front of Leopold Hall. The date of this photograph is uncertain; it may date to 1943-46 and be a photograph of men in the V-12 program, which preceded the Navy...
    • Sky Window.

    • Sky Window.

    • Sculpture; Architecture; Architectural elements; Ceilings; Windows; Skylights; Light; Lighting

    • "While producing works like this, Turrell also embarked on a major project in 1972 which involved purchasing, and subsequently modifying, an extinct volcanic crater located in northern Arizona. This 'Roden Crater' project has connections with...
    • Standing Nude.

    • Standing Nude.

    • Drawings; Pencil works; Nudes; Figure drawings

    • Pencil drawing; "This drawing, which at nearly three feet in height is very large for Giacometti, is one of an enormous number that he produced throughout his life. His sculptures and paintings of the figure, similarly attenuated, are far...
    • Spiral: An Ordinary Evening in New Haven.

    • Spiral: An Ordinary Evening in New Haven.

    • Mixed media; Paintings; Oil paintings; Sculpture; Metalwork; Woodwork; Locomotion; Fires; Fire; Tables; Furniture; Animals; Aquatic animals; Fish; Crabs; Birds; Butterflies; Insects; Spiders; Arachnids; Cats; Flowers; Plants; Leaves; Axes; Saws;...

    • Painting: oil on canvas, 274 x 487 cm (108 x 192 in); tables: painted wood, 77.4 x 81 x 89 cm (30 1/2 x 32 x 35 in), painted wood with steel base, 100 x 104 x 89 cm (39 1/2 x 41 x 35 in); cones: welded steel, 50.7 x 76.7 x 53.2 cm (20 x 30 1/4 x 21...
    • Venturi Window.

    • Venturi Window.

    • Sculpture; Glass; Abstract sculpture; Abstract works; Windows; Exhibitions; Art exhibitions; Galleries (Display spaces); Galleries & museums; Exhibition facilities; Exhibition buildings; Architecture; Buildings; Interiors; Rooms & spaces;...

    • Installation at the Seattle Art Museum. Brown glass.
    • The Perception of Presence.

    • The Perception of Presence.

    • Sculpture; Mixed media; Men; Young adults; Discrimination; Race discrimination; Racism; Prejudice; Cultural relations; Social classes; Social aspects; Interpersonal relations; Fear

    • Earth, linen cloth, and wood, and recorded interviews; “ ‘My godson’s experience stimulated this piece. He’s grown up in Greenwich Village and one evening while out with his friends the police swooped down upon them. They were thrown...
    • This Is How You Sit Correctly (after Goya).

    • This Is How You Sit Correctly (after Goya).

    • Paintings; Acrylic paintings; Collages; Allusions; Women; Heads (Anatomy); Faces; Clothing & dress; Dresses; Headgear; Pointing fingers; Smiling; Chairs; Seating furniture; Furniture; Doors & doorways; Floors; Snakes; Reptiles; Animals;...

    • "Polke's work frequently juxtaposes images wrenched from different periods of history. At the bottom left he makes use of a collage by the early twentieth-century Surrealist Max Ernst, whilst the central image derives from a satirical etching...
    • Bunnies.

    • Bunnies.

    • Paintings; Acrylic paintings; Capitalism; Glamour photographs; Sex; Seduction; Lust; Relations between the sexes; Women; Bathing beauties; People associated with entertainment & sports; Posing; Clothing & dress; Lingerie; Bathing suits;...

    • "In subsequent paintings by Polke, deliberately inept versions of American Pop techniques ironically signaled West Germany's 'secondary' cultural/economic status vis-à-vis America. In his Rasterbilder works he subverted [Roy] Lichtenstein's...
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