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    • Menges Hall, before 1953.

    • Menges Hall, before 1953.

    • Buildings; University of Louisville--Buildings; Barracks; Dormitories; University of Louisville. School of Business; Southern Police Institute

    • Menges Hall, a former barracks building used for various purposes by the University of Louisville. The side of the building is fully visible; part of another barracks building is visible behind it. A Gulf Oil sign rises above it in the rear. The...
    • White Hall, late 1940s.

    • White Hall, late 1940s.

    • Buildings; University of Louisville--Buildings; Barracks; Dormitories

    • White Hall, with part of another barracks building. The entryway to White Hall is framed by trees. One of the Naval Barracks, White Hall was moved to accommodate construction of Schneider Hall in 1955. It was relocated to site of present-day...
    • Leopold Hall, with men in Navy uniforms, 1948.

    • Leopold Hall, with men in Navy uniforms, 1948.

    • Buildings; University of Louisville--Buildings; Men; Student housing; Navy V-12 Program (U.S.); United States. Navy. Reserve Officers' Training Corps; Military uniforms

    • A double line of men in white Navy uniforms (presumably Navy ROTC students) marches in front of Leopold Hall. The date of this photograph is uncertain; it may date to 1943-46 and be a photograph of men in the V-12 program, which preceded the Navy...
    • Black Student Union protester, University of Louisville, May 1, 1969.

    • Black Student Union protester, University of Louisville, May 1, 1969.

    • Student movements; Activists; Students; Black Student Union (University of Louisville); University of Louisville--Students

    • A female protester walks out of the offices of the College of Arts and Sciences into the waiting crowd of onlookers, police and the media. Members of the Black Student Union (BSU) and some of their supporters occupied the administrative offices of...
    • Black Student Union protest, University of Louisville, May 1, 1969.

    • Black Student Union protest, University of Louisville, May 1, 1969.

    • Black Student Union (University of Louisville); Student movements; Crowds; Police; University of Louisville--Students

    • Police officers and a dark-shirted man look into the open door of Gardiner Hall. Members of the Black Student Union (BSU) and some of their supporters occupied the administrative offices of the College of Arts and Sciences, located inside Gardiner...
    • Black Student Union protest, University of Louisville, May 1, 1969.

    • Black Student Union protest, University of Louisville, May 1, 1969.

    • Black Student Union (University of Louisville); African American college students; African Americans; Students; University of Louisville--Students; Activists

    • A group of African-Americans stand in front of Gardiner Hall. A white hand holds up a sign, "Black rights mean everyone's rights." Members of the Black Student Union (BSU) and some of their supporters occupied the administrative offices...
    • Black Student Union protest, University of Louisville, May 1, 1969.

    • Black Student Union protest, University of Louisville, May 1, 1969.

    • Activists; Black Student Union (University of Louisville); University of Louisville--Students; Police

    • Police carrying demonstrators into transport vehicle. Police officers and news people are gathered around. Members of the Black Student Union (BSU) and some of their supporters occupied the administrative offices of the College of Arts and...
    • Football game against Miami, Louisville, Kentucky, 1949.

    • Football game against Miami, Louisville, Kentucky, 1949.

    • Football; Football players; University of Louisville--Football; University of Louisville--Students; College athletes; University of Louisville--Sports; Night photographs; Students;

    • Action on the field as the University of Louisville Cardinals play the University of Miami Hurricanes at night in Manual Stadium. The final score was U of L 0, Miami 26.
    • Track team members running hurdles, University of Louisville, 1948.

    • Track team members running hurdles, University of Louisville, 1948.

    • Track athletics; University of Louisville--Students; Students; University of Louisville--Track athletics; Hurdle racing; College athletes; University of Louisville--Sports

    • Action shot of four runners jumping over hurdles at the University of Louisville track. The track was at the southeastern corner of the Belknap Campus where the Natural Sciences Building and the Miller Information Technology Center are now located.
    • The Spirit of the Dead Watches (Manao Tupapau).

    • The Spirit of the Dead Watches (Manao Tupapau).

    • Paintings; Oil paintings; Girls; Youth; Teenagers; Nudes; Backs (Anatomy); Fear; Ghosts; Women; Dead persons; Supernatural beings; Supernatural; Beds; Furniture; Bedsheets; Pillows

    • “In various letters and diary notes the artist has explained how the preoccupation with ethnological problems, with the symbolism of colors, and certain literary concepts participated in the genesis of this canvas: ‘I painted the nude of a...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Hand Catching Lead, film still.

    • Hand Catching Lead, film still.

    • Film stills; Motion pictures; Processes & techniques; Time; Falling; Metals; Hands; Fingers; Body parts; Locomotion; Human locomotion

    • "This 3-minute 30-second film, like others produced by Serra in the same year, related to a famous 'verb list' which he compiled in 1967-8. The verb involved in this instance is 'to grasp' but the list also included 'to roll, to crease, to...
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