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  • Description: Art
(449 results)



Display: 20

    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Scratching Both Walls at Once, film still.

    • Scratching Both Walls at Once, film still.

    • Performance art; Video recording; Motion pictures; Film stills; Myths; Fairy tales; Allusions; Artificial limbs; Artists; Women; Hairstyles; Posing; Interiors; Rooms & spaces; Architectural elements; Walls; Windows

    • Film still from recorded performance. "Rebecca Horn's early performances involved her strapping surreal prostheses to her body or wearing elaborate costumes. The allusions to fairy tale and myth were unmistakable but rarely specific. Since...
    • Dancing in Peckham, film still.

    • Dancing in Peckham, film still.

    • Performance art; Video recording; Film stills; Motion pictures; Fantasy; Women; Artists; Youth; Boys; Teenagers; Dancers; Dance; Recreation; Locomotion; Human locomotion; Walking; Clothing & dress; Trousers; Shirts; T-shirts; Shoes; Footwear;...

    • Videotape; 25 minutes, color, silent; "The idea that art can provide access to an artist's inner being is amusingly, and pointedly, repudiated here. Wearing is completely immersed in her own world. In the video, no soundtrack accompanies her...
    • Merda d'Artista [Artist's Shit], with Piero Manzoni.

    • Merda d'Artista [Artist's Shit], with Piero Manzoni.

    • Photographs; Portrait photographs; Advertisements; Advertising; Selling; Commercialism; Commerce; Business & finance; Business enterprises; Industry; Puns (Visual works); Products; Art objects; Feces; Bodily functions; Cans; Containers; Men;...

    • The Artist [Piero Manzoni ] with 'Merda d'artista' [Artist's Shit], at Angli Shirt Factory, Herning, Denmark, 1961. "This provocative image of Manzoni with one of his cans of excrement could be seen as a rejoinder to photographic images of...
    • A Portend of the Artist as a Yhung Mandala.

    • A Portend of the Artist as a Yhung Mandala.

    • Illustrations; Periodical illustrations; Drawings; Ink drawings; Collages; Cartoons (Commentary); Editorial cartoons; Political cartoons; Satires (Visual works); Politics & government; Capitalism; Symbols; Myths; Legends; Supernatural beings;...

    • "Ad Reinhardt's satirical cartoons, which contrasted sharply with his practice as a painter, dated back to the 1930s and 1940s. His strong Communist sympathies during that period had informed a series of cartoons for left-wing journals. By the...
    • Art Studio, before 1979.

    • Art Studio, before 1979.

    • Buildings; University of Louisville--Buildings; Studios; Religious facilities; Educational facilities;

    • The Art Studio, a small brick building. The front entrance and a covered side entrance are visible. There is ivy growing on the front of the building, and leaves on the grass in the foreground. The Art Studio was razed in 1979 to make room for...
    • F 111, gallery view, detail.

    • F 111, gallery view, detail.

    • Paintings; Oil paintings; Mixed media; Details; Commerce; Commercialism; Consumers; Militarism; Airplanes; Aircraft; Vehicles; Military vehicles; Fighter planes; Bombers; Tires; Vehicle components; Inscriptions; Lettering (Layout features); Logos;...

    • Oil on canvas with aluminium [aluminum]; [this photo taken at the Whitney Museum of American Art, New York; painting now at The Museum of Modern Art (MoMA), New York].
    • Made in Heaven, detail, Koons and Cicciolina.

    • Made in Heaven, detail, Koons and Cicciolina.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • Made in Heaven.

    • Made in Heaven.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • Visual Resources Center Digital Image Collection

    • Visual Resources Center Digital Image Collection

    • Art; Architecture; Photographs

    • The Visual Resources Center (VRC) Digital Image Collection is the teaching and research image collection of the Department of Fine Arts/Allen R. Hite Art Institute Visual Resources Center. It is a continuously expanding collection of digital images...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
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