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  • Description: Gallery
(82 results)



Display: 20

    • 20/50.

    • 20/50.

    • Architecture; Sculpture; Rooms & spaces; Architectural elements; Windows; Reflections; Industrialization; Industrial facilities; Industry; Deterioration; Building deterioration

    • Installation: used sump oil, steel; "The oil uncannily mirrors the ceiling of the gallery, leaving the spectator, figuratively speaking, in mid-air. Although currently installed in the Saatchi Gallery, the work was originally located in Matt's...
    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Faces; Women; Artists; Racially mixed people; Hairstyles; Race discrimination; Discrimination; Racism; Ethnic stereotypes; Interpersonal relations; Prejudice

    • "As an African-American who is able to pass as 'white', Piper has written eloquently of the social and institutional prejudices that surface when she divulges her racially mixed identity. In a text entitled 'Flying' of 1987 she wrote: 'I am...
    • [Portrait of a Lady with a cap, from the front]

    • [Portrait of a Lady with a cap, from the front]

    • Drawings; Pencil works; Women; Artists' models; Adults; Clothing & dress; Hats; Headgear; Hairstyles; Inscriptions; Artists' signatures; Lettering (Layout features); Marks (Symbols)

    • Caption information: Damenbildnis mit Kappe, von vorn [Portrait of a Lady with a cap, from the front] / um 1917 [c. 1917]/ Bleistift [pencil] / u. l.: Nachlassstempel [lower left: estate stamp] / Nationalgalerie Prag [National Gallery, Prague].
    • [Standing female figure in an evening gown].

    • [Standing female figure in an evening gown].

    • Drawings; Pencil works; Women; Artists' models; Adults; Posing; Standing; Clothing & dress; Dresses; Evening gowns; Hairstyles; Inscriptions; Artists' signatures; Lettering (Layout features); Initials

    • Caption information: Stehende Frauenfigur im Abendkleid [Standing female figure in an evening gown] / um 1917 [c. 1917]/ Bleistift [pencil] / Galerie Wolfgang Gurlitt, Munchen [Wolfgang Gurlitt Gallery, Munich].
    • [The Elephant Celebes].

    • [The Elephant Celebes].

    • Paintings; Oil paintings; Elephants; Animals; Machinery; Heads (Anatomy); Horns (Animal); Women; Mannequins; Nudes; Breasts; Gestures; Gloves; Fish; Aquatic animals; Smoke; Shadows; Artists' signatures; Inscriptions

    • From caption: L'Elephant Celebes; from the Tate Gallery website (http://www.tate.org.uk) (11-2011): Inscribed 'max ernst 1921' b.l., 'Celebes' b.r. and 'No. 1. MAX ERNST | CELEBES' on back of canvas / Oil on canvas, 49 3/8 x 44 (125.5 x 108)
    • [Three standing nude girls].

    • [Three standing nude girls].

    • Drawings; Pencil works; Women; Artists' models; Nudes; Nudism; Breasts; Buttocks; Hairstyles; Posing; Standing; Gestures; Inscriptions; Artists' signatures; Lettering (Layout features); Marks (Symbols)

    • Caption information: Drei stehende Madchenakte [Three standing nude girls] / um 1915 [c. 1915] / Bleistift [pencil] / u. r.: Nachlassstempel [lower right: estate stamp] / Galerie Wurthle, Wien [Gallery Wurthle, Vienna].
    • [Two women lying in an embrace].

    • [Two women lying in an embrace].

    • Drawings; Pencil works; Women; Artists' models; Nudes; Nudism; Breasts; Erotica; Hugging; Hairstyles; Inscriptions; Artists' signatures; Lettering (Layout features); Marks (Symbols)

    • Caption information: Zwei liegende Frauen in Umarmung [Two women lying in an embrace] / um 1907 [c. 1907] / roter Farbstift [red crayon/color pencil] [Note: “farbstift” translates as “color pencil” (Amer.); “crayon” or “color...
    • Accession II.

    • Accession II.

    • Sculpture; Abstract sculpture; Abstract works; Metalwork; Boxes; Containers; Interiors

    • "Hesse produced a series of versions of this sculpture during 1967-8. They set up an interesting dialogue with [Donald] Judd's frequent exposure of the interiors of his 'boxes'. They also respond obliquely to an iconographic tradition of...
    • Au Naturel.

    • Au Naturel.

    • Sculpture; Mixed media; Puns (Visual works); Sex; Couples; Relations between the sexes; Human body; Body parts; Anatomy; Genitals; Pails; Containers; Fruit; Melons; Food; Citrus fruit; Oranges; Cucumbers; Vegetables

    • "Lucas grew up in a working-class environment in East London and uses its idioms in her work. To some extent she has also borrowed from the American art that she saw in the late 1980s in London's Saatchi Gallery. Her 'grungy' abject imagery...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Boîte-en-Valise, open.

    • Boîte-en-Valise, open.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Celia.

    • Celia.

    • Drawings; Chalk drawings; Portrait drawings; Portraits; Women; Adults; Designers; Fashion designers; Artists' models; Sitting; Posing; Clothing & dress; Shirts; Patterns (Design elements); Hairstyles; Chairs; Seating furniture; Furniture;...

    • Caption information: Farbkreide [Colored chalk] / sig. u. dat.: u. r. D. H. 70 [Signed and dated: lower right: D. H. 70] / Beide Kasmin Gallery, London.
    • Chicano murals, Estrada Courts Housing Project, East Los Angeles.

    • Chicano murals, Estrada Courts Housing Project, East Los Angeles.

    • Murals; Paintings; Ethnic groups; Ethnic neighborhoods; Social aspects; Social classes; Minorities; Neighborhoods; Residential facilities; Housing; Buildings; Dwellings; Walls; Men; Women; Couples; Spouses; Children; Boys; Girls; Youth; Artists;...

    • By "various hands." (Lucie-Smith, p.448). The following information is from the Mural Conservancy of Los Angeles: THE MURALS OF ESTRADA COURTS web page (http://www.lamurals.org/MuralFiles/ELA/EstradaCourts.html), accessed February 1,...
    • Constance West.

    • Constance West.

    • Drawings; Pencil works; Portraits; Portrait drawings; Women; Adults; Spouses; Artists' models; Nudes; Nudism; Breasts; Hairstyles; Posing; Shadows; Inscriptions; Names; Artists' signatures; Numerals

    • Caption information: Bleistift [Pencil] / sig. u. dat.: alfred leslie 1970 [Signed and dated: alfred leslie 1970] / Noah Goldowsky Gallery and R. Bellamy.
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