University of Louisville University Libraries

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  • Description: Joseph)
(215 results)



Display: 20

    • Holy happy Christmas.

    • Holy happy Christmas.

    • Angels; Harps; Violins; Jesus Christ--Family; Christmas cards; Holly

    • Mary, the infant Jesus, Joseph and three angels are framed in a circle embedded in a background of holly with berries. The blonde-haired Jesus reaches out to the angels. One of the angels holds a violin and bow and another plays a harp. Postmarked...
    • Rauch Memorial Planetarium.

    • Rauch Memorial Planetarium.

    • Buildings; University of Louisville--Buildings; Planetaria; Trees;

    • Rauch Memorial Planetarium, a round brick structure, in the midst of the Belknap campus and many trees. Many other buildings are visible nearby, and the street can be behind the Planetarium. The Confederate Monument stands in the foreground, near a...
    • Rauch Memorial Planetarium, 1963.

    • Rauch Memorial Planetarium, 1963.

    • Buildings; University of Louisville--Buildings; Planetaria;

    • Rauch Memorial Planetarium, not long after it was completed. The ground in front of the building has very little grass and the bushes and trees appear to be new. This planetarium was razed to make way for Speed Museum garage. It was rebuilt in its...
    • Rauch Memorial Planetarium.

    • Rauch Memorial Planetarium.

    • Buildings; University of Louisville--Buildings; Planetaria; Sculpture;

    • Rauch Memorial Planetarium with sculpture in the entranceway. The ground in front of the building is only partially covered with grass. This planetarium was razed to make way for Speed Museum garage. It was rebuilt in its present-day location as...
    • Business School, Career Day, University of Louisville, 1955.

    • Business School, Career Day, University of Louisville, 1955.

    • University of Louisville. School of Business; University of Louisville--Students; Students; Auditoriums;

    • Approximately three hundred students of the newly established U of L School of Business (now College of Business) at Career Day on April 13, 1955, seated in an auditorium. Fourteen university and business leaders discussed various aspects of jobs...
    • Business School Career Day, University of Louisville, 1955.

    • Business School Career Day, University of Louisville, 1955.

    • University of Louisville. School of Business; Business people; Business education;

    • William Duffy, supervisor of training at the General Electric Company (GE) stands at a lectern and speaks to approximately three hundred students of the University of Louisville Business School at a Career Day presentation on April 13, 1955. He is...
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
    • In Limbo.

    • In Limbo.

    • Sculpture; Dolls; Toys; Arms (Anatomy); Legs; Heads (Anatomy); Body parts; Boxes; Containers; Surplus commodities; Commercialism; Capitalism; Economics; Industry; Commerce

    • "Whilst implicitly acknowledging the Surrealism of [Joseph] Cornell, Arman possibly evokes [Roland] Barthes's mournful vision of commodified toys as expressed in the latter's book Mythologies (1957). Barthes wrote that in the consumerist era,...
    • Bedia's Stirring Wheel.

    • Bedia's Stirring Wheel.

    • Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...

    • "Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
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