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  • Description: Male
(219 results)



Display: 20

    • Health Sciences Building, circa 2004.

    • Health Sciences Building, circa 2004.

    • Buildings; University of Louisville--Buildings; University of Louisville. School of Medicine; Educational facilities; Courtyards; Columns;

    • Health Sciences Building, a modern concrete and glass building featuring large concerte columns. This building is part of the Health Sciences Center. Part of the courtyard can be seen in front of the building; there are several small trees in...
    • Football team, University of Louisville, 1904.

    • Football team, University of Louisville, 1904.

    • University of Louisville--Students; University of Louisville--Sports; University of Louisville--Football; Football players;

    • University of Louisville students dressed for an informal football game in 1904. Organized football teams were officially established at U of L in 1912. Most of U of L's football players at the time were medical students. Two football games were...
    • Cheerleaders, University of Louisville, 1968.

    • Cheerleaders, University of Louisville, 1968.

    • Cheerleading; University of Louisville--Students; Students; Fairgrounds Stadium (Louisville, Ky.);

    • U of L cheerleaders mingle with the Kent State cheerleaders (male and female) prior to the U of L vs. Kent State homecoming football game. Only U of L's Pam Recktenwald, the woman wearing the corsage, can be identified.
    • Dental School classroom, University of Louisville, circa 1920s.

    • Dental School classroom, University of Louisville, circa 1920s.

    • Dental students; University of Louisville--Students; University of Louisville--Faculty; Teachers; Classrooms; University of Louisville. School of Dentistry

    • U of L dental students, all male, sit at long desks that nearly fill the classroom to capacity. Two identical mechanical devices rest on the front row desk and the students sitting behind it wear aprons. They appear to be working on some kind of...
    • Balaclavas.

    • Balaclavas.

    • Sculpture; Headgear; Symbols; Commercialism; Commerce; Shopping; Patterns (Design elements); Logos; Swastikas; Rabbits; Animals; Mirrors; Reflections; Cameras; Photographic apparatus & supplies

    • Series of five woolen hoods; "The motifs on Trockel's knitted balaclavas emblematized various issues. The 'bunnies', for instance, teasingly evoked the kind of imagery displayed in [Sigmar] Polke's Playboy Bunnies, whilst the swastikas nudged...
    • Bunnies.

    • Bunnies.

    • Paintings; Acrylic paintings; Capitalism; Glamour photographs; Sex; Seduction; Lust; Relations between the sexes; Women; Bathing beauties; People associated with entertainment & sports; Posing; Clothing & dress; Lingerie; Bathing suits;...

    • "In subsequent paintings by Polke, deliberately inept versions of American Pop techniques ironically signaled West Germany's 'secondary' cultural/economic status vis-à-vis America. In his Rasterbilder works he subverted [Roy] Lichtenstein's...
    • Blaze, detail.

    • Blaze, detail.

    • Paintings; Abstract paintings; Abstract works; Optical illusions; Hallucinations & illusions; Details

    • "Riley's 'Op' paintings of the early 1960s were exclusively in black and white although, as her critical mentor the psychologist Anton Ehrenzweig noted, they could generate disembodied sensations of color. She was to begin incorporating color...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • What Big Muscles You Have!

    • What Big Muscles You Have!

    • Language; Slogans; Inscriptions; Lettering (Layout features); Punctuation; Graphic design; Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values; Political issues; Discrimination;...

    • "Barbara Kruger, rather than making her own photographs, has combined found media imagery involving the male gaze and its various hidden projections of personal power with brief texts of her own devising. Sometimes by reinforcement of the...
    • Inflammatory Essays, page detail.

    • Inflammatory Essays, page detail.

    • Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks

    • "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
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