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Display: 20

    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Britain Seen from the North.

    • Britain Seen from the North.

    • Sculpture; Mixed media; Maps; Recycling; Conservation of natural resources; Economics; Economic & political systems; Political issues; Politics & government

    • "It was not until the end of the 1970s, in the work of a new generation of sculptors including Tony Cragg, Richard Deacon, Anish Kapoor, and Bill Woodrow, that the sculptural object as such, in relation to human or urban themes, reassumed...
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Metalwork

    • Galvanized steel and concrete. "Deacon's organically related forms often derive from sources in the Bible, poetry, fairy stories, and figures of speech. In the two versions of the laminated wood sculpture For Those Who Have Ears (1982-3), for...
    • Bojewyan Farms.

    • Bojewyan Farms.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Agriculture; Agricultural productivity; Croplands; Farms; Farming; Economics; Economic & social conditions; Landscapes (Representations); Villages; Coastlines; Animals

    • "Bojewyan is a small village near St. Just in Cornwall, England. At the time of the painting local farmsteads were falling empty because they were uneconomic. Lanyon saw this as a serious threat to the region. His painting contains hints of a...
    • Discovery of America by Christopher Columbus.

    • Discovery of America by Christopher Columbus.

    • Paintings; Oil paintings; Marines (Visual works); Symbols; Allusions; Discovery & exploration; Catholicism; Christianity; Portraits; Self-portraits; Portrait paintings; Men; Women; Spouses; Nudes; Explorers; Saints; People associated with...

    • "Dali and Gala had every reason to be grateful to America, which had showered them with dollars. Here, as Columbus, the painter kneels on the shore, holding aloft a silver crucifix. Gala appears once more as Virgin Mary, on the banner."...
    • The Madonna of Port Lligat.

    • The Madonna of Port Lligat.

    • Paintings; Oil paintings; Symbols; Catholicism; Christianity; Women; Spouses; Mothers; Saints; Children; Infants; People associated with religion; Sitting; Floating; Prayer; Clothing & dress; Hairstyles; Thrones; Chairs; Seating furniture;...

    • First version; "Dali's atomic variation on the Assumption, with Gala as tutelary goddess of Port Lligat." (Caption); Dali's first 'religious painting', designed to ingratiate himself with Church and State, was The Madonna of Port Lligat,...
    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Lust; Erotica; Women; Nudes; Backs (Anatomy); Buttocks; Breasts; Shoes; Footwear; Horns (Animal); Clouds; Walls; Architectural elements; Structural elements; Railings; Shadows; Artists' signatures

    • "Dali prided himself on being the world's greatest ever painter of the female posterior." (Caption); "It was probably early in 1950 that Emmanuel Looten, a little-known Flemish poet, had made Dali the unexpected and 'gelatinous' gift...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Cremaster 4, film still from video.

    • Cremaster 4, film still from video.

    • Film stills; Motion pictures; Video recording; Storytelling; Fantasy; Myths; Science fiction; Metamorphosis; Supernatural; Supernatural beings; Heroes; Dandies; Men; Ears; Clothing & dress; Suits (Clothing); Corsages

    • "Here the artist aspires to a metamorphosis which hints partly at mythology, partly at science fiction. However, with mock pathos, Barney's floppy ears and dual kiss-curls inadequately match up to the four horns of the ram which the video's...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "In de Kooning's black canvases the elimination of color was conditioned as much by financial constraints as by the need to simplify pictorial problems in the spirit of Analytic Cubism. The deliberately artless use of shiny enamel housepaints...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
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