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  • Description: Other
(2042 results)



Display: 20

    • Fair of the Holy Cross.

    • Fair of the Holy Cross.

    • Paintings; Watercolors; Gouaches; Posters; Fairs; Festivals; Celebrations; Circuses & shows; Sideshows; Performances; Entertainment; Entertaining; Leisure; Recreation; Social life; Crowds; Men; Women; Couples; Circus performers; Entertainers;...

    • "In an article published in Figueres in May 1921, Subias Galter (1897-1984) praised the gouache posters that Dali had done for the recent Santa Creu festivities. Several critics had pointed out that they and other works in the same vein owed...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • Outskirts of the Paranoiac-Critical Town.

    • Outskirts of the Paranoiac-Critical Town.

    • Paintings; Oil paintings; Fantasy; Symbols; Fear; Anxiety; Lust; Sex; Invitations; Gestures; Locomotion; Human locomotion; Women; Portraits; Spouses; Children; Girls; Clothing & dress; Shirts; Necklaces; Neckwear; Jewelry; Dresses; Cities &...

    • "The painting belonged to Edward James. The 'paranoiac-critical town' is composed of elements principally from Cadaqués and Palamós." (Caption); "The reference was to Outskirts of the Paranoiac-Critical Town, one of Dali's finest...
    • At the Moulin Rouge.

    • At the Moulin Rouge.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Men; Women; Artists; Painters (Artists); Draftspersons; Critics; Collectors; Art collectors; Authors; Photographers; Dancers; Entertainers; People associated...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • At the Moulin Rouge, detail, central figures.

    • At the Moulin Rouge, detail, central figures.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Details; Men; Women; Artists; Painters (Artists); Draftspersons; Authors; Photographers; Jockeys; Adults; Sitting; Walking; Leisure; Recreation; Eating &...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "In de Kooning's black canvases the elimination of color was conditioned as much by financial constraints as by the need to simplify pictorial problems in the spirit of Analytic Cubism. The deliberately artless use of shiny enamel housepaints...
    • Lightning Field.

    • Lightning Field.

    • Lightning; Electricity; Storms; Meteorology; Weather; Natural phenomena; Nature; Physics

    • "One of the ironies of the anti-market strategies of certain Land Artists was that to view their works other than via photographs spectators had to travel large distances. This could be costly, especially when specialized transport was...
    • Estate.

    • Estate.

    • Mixed media; Collages; Oil paintings; Paintings; Screen prints; Prints; Sculpture; Monuments; Women; Symbols; Architecture; Buildings; Architectural elements; Windows; Signs (Notices); Traffic signs & signals; Traffic regulations

    • "During the 1960s Rauschenberg, like many other artists, increasingly used silkscreen transfers to create a kaleidoscope of images deriving from the daily press and motion pictures even more than from the example of the Dadaists (plate...
    • Numbers.

    • Numbers.

    • Drawings; Numerals

    • "Johns used letters or numbers as a means of reintroducing the signifiers of a collective sign system into a Modernist 'field' previously answerable to subjective judgments of taste. The textures in his drawings in particular are subtly...
    • Five Car Stud.

    • Five Car Stud.

    • Sculpture; Tableaux; Night; Violence; Terrorism; Punishment & torture; Race discrimination; Discrimination; Race relations; Racism; Social aspects; Interpersonal relations; Social justice; Social values; Minorities; Ethnic groups; Men; Women;...

    • Tableau: cars, plaster casts, guns, rope, masks, chainsaw, clothing, oil pan with water and plastic letters, paint, polyester resin, styrofoam rocks, and dirt; "Ruthlessly forgoing aesthetic or metaphorical niceties, Keinholz's grotesquely...
    • Big Painting VI.

    • Big Painting VI.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Comic books; Comics

    • "Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
    • At Five in the Afternoon.

    • At Five in the Afternoon.

    • Paintings; Casein paintings; Tempera paintings; Abstract paintings; Abstract works; Allusions; Fantasy; Poetry; Liberty; Death; Fascism; Civil wars; War; Bulls; Animals

    • "This painting deliberately combines a host of allusions to Spanish culture such as the stark black/white contrasts of Goya, Velasquez, and Picasso, the Spanish poet Lorca's lament to a dead bullfighter, 'Llanto por Ignacio Jánchez mejías',...
    • A Portend of the Artist as a Yhung Mandala.

    • A Portend of the Artist as a Yhung Mandala.

    • Illustrations; Periodical illustrations; Drawings; Ink drawings; Collages; Cartoons (Commentary); Editorial cartoons; Political cartoons; Satires (Visual works); Politics & government; Art; Capitalism; Symbols; Myths; Legends; Supernatural...

    • "Ad Reinhardt's satirical cartoons, which contrasted sharply with his practice as a painter, dated back to the 1930s and 1940s. His strong Communist sympathies during that period had informed a series of cartoons for left-wing journals. By the...
    • Augustus, front view.

    • Augustus, front view.

    • Sculpture; Portraits; Heads (Anatomy); Men; Emperors; Rulers; People associated with politics & government; Hairstyles

    • Portrait head. "This portrait has fundamental importance in the study of Augustan iconography. Both it and a very similar portrait in the Forbes collection are considered excellent examples of the Louvre type of Augustan portrait. [...] This...
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