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  • Description: Painter
(52 results)



Display: 20

    • Fair of the Holy Cross.

    • Fair of the Holy Cross.

    • Paintings; Watercolors; Gouaches; Posters; Fairs; Festivals; Celebrations; Circuses & shows; Sideshows; Performances; Entertainment; Entertaining; Leisure; Recreation; Social life; Crowds; Men; Women; Couples; Circus performers; Entertainers;...

    • "In an article published in Figueres in May 1921, Subias Galter (1897-1984) praised the gouache posters that Dali had done for the recent Santa Creu festivities. Several critics had pointed out that they and other works in the same vein owed...
    • The Great Paranoiac.

    • The Great Paranoiac.

    • Paintings; Oil paintings; Fantasy; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Sex; Men; Women; Fathers; Nudes; Heads (Anatomy); Faces; Rocks

    • "The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
    • The Madonna of Port Lligat.

    • The Madonna of Port Lligat.

    • Paintings; Oil paintings; Symbols; Catholicism; Christianity; Women; Spouses; Mothers; Saints; Children; Infants; People associated with religion; Sitting; Floating; Prayer; Clothing & dress; Hairstyles; Thrones; Chairs; Seating furniture;...

    • First version; "Dali's atomic variation on the Assumption, with Gala as tutelary goddess of Port Lligat." (Caption); Dali's first 'religious painting', designed to ingratiate himself with Church and State, was The Madonna of Port Lligat,...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • Outskirts of the Paranoiac-Critical Town.

    • Outskirts of the Paranoiac-Critical Town.

    • Paintings; Oil paintings; Fantasy; Symbols; Fear; Anxiety; Lust; Sex; Invitations; Gestures; Locomotion; Human locomotion; Women; Portraits; Spouses; Children; Girls; Clothing & dress; Shirts; Necklaces; Neckwear; Jewelry; Dresses; Cities &...

    • "The painting belonged to Edward James. The 'paranoiac-critical town' is composed of elements principally from Cadaqués and Palamós." (Caption); "The reference was to Outskirts of the Paranoiac-Critical Town, one of Dali's finest...
    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Lust; Erotica; Women; Nudes; Backs (Anatomy); Buttocks; Breasts; Shoes; Footwear; Horns (Animal); Clouds; Walls; Architectural elements; Structural elements; Railings; Shadows; Artists' signatures

    • "Dali prided himself on being the world's greatest ever painter of the female posterior." (Caption); "It was probably early in 1950 that Emmanuel Looten, a little-known Flemish poet, had made Dali the unexpected and 'gelatinous' gift...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • Mercenaries II.

    • Mercenaries II.

    • Paintings; Acrylic paintings; Political issues; Politics & government; Corruption; Men; Mercenaries (Soldiers); Soldiers; Military personnel; People associated with military activities; Military life; Conversation; Smiling; Standing; Clothing...

    • "Set against huge fields of red oxide on mural-sized, unstretched canvases, Golub's figures' frozen poses fleetingly echo those on Greek pottery, but they travesty classical faith in the body." (Caption, p.205); "Another rediscovered...
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Boxes; Geometry

    • "Judd's industrially manufactured, modular pieces, developed from 1966 onwards, were stubbornly empirical investigations of specific materials and visual effects. He shunned mystification and openly declared the nature of his structures. The...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • A Portend of the Artist as a Yhung Mandala.

    • A Portend of the Artist as a Yhung Mandala.

    • Illustrations; Periodical illustrations; Drawings; Ink drawings; Collages; Cartoons (Commentary); Editorial cartoons; Political cartoons; Satires (Visual works); Politics & government; Art; Capitalism; Symbols; Myths; Legends; Supernatural...

    • "Ad Reinhardt's satirical cartoons, which contrasted sharply with his practice as a painter, dated back to the 1930s and 1940s. His strong Communist sympathies during that period had informed a series of cartoons for left-wing journals. By the...
    • Saccho H8 (Sack H8).

    • Saccho H8 (Sack H8).

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Bags; Stencils (Images); Numerals; Mixed media

    • "The sacks used in these canvases often displayed stenciled letters relating to their commercial origins. This suggests some link with the German prewar Dadaist, Kurt Schwitters who made collages from printed waste paper. However, Burri,...
    • The Discussion, detail.

    • The Discussion, detail.

    • Paintings; Discussion; Debates; Politics & government; Political issues; Political parties; Men; Artists; Clothing & dress; Suits (Clothing); Coats; Cigarettes; Details

    • "According to the artist this painting depicted an 'ideological discussion'. As such it evokes the stormy realist-abstraction debates, and allied political differences, among artists in Italy after the Second World War. Stylistically, the work...
    • The Discussion.

    • The Discussion.

    • Paintings; Discussion; Debates; Politics & government; Political issues; Political parties; Men; Artists; Clothing & dress; Suits (Clothing); Coats; Backs (Anatomy); Eyeglasses; Sitting; Cigarettes; Smoking; Newspapers; Periodicals; Chairs;...

    • "According to the artist this painting depicted an 'ideological discussion'. As such it evokes the stormy realist-abstraction debates, and allied political differences, among artists in Italy after the Second World War. Stylistically, the work...
    • The Gamble.

    • The Gamble.

    • Collages; Mixed media; Leisure; Recreation; Social life; Gambling; Games; Card games; Cards; Playing cards; Women; Clothing & dress; Dresses; Sitting; Standing; Tables; Furniture

    • "In Romare Bearden (1914-88) Harlem found its own history painter, an artist who won dominion over form by studying the Old Masters, and then reinvigorated it with the jazzy rhythms pioneered in painting by Stuart Davis, the master of...
    • Artemis, front view.

    • Artemis, front view.

    • Sculpture; Metalwork; Myths; Legends; Supernatural beings; Fictitious characters; Goddesses; People associated with religion; Women; Clothing & dress; Hairstyles; Gestures

    • One of the Piraeus bronze statues; "The statue of the large Artemis reflects a different conception of the goddess, that of a serious young woman, in which her role as huntress is indicated only by the position of the fingers holding the bow...
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