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  • Description: Paris
(88 results)



Display: 20

    • [Antonin Artaud], Self-Portrait.

    • [Antonin Artaud], Self-Portrait.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Men; Authors; Poets; Actors; Theatrical producers & directors; Dramatists; Draftspersons; Hairstyles

    • "Artaud's late drawings have been a comparatively recent discovery. His poetry and writings on the theatre were better known previously. In the latter respect, his notions of catharsis had a decisive impact on the Body Art of the 1970s. After...
    • The Apparition [Salome and the Head of John the Baptist].

    • The Apparition [Salome and the Head of John the Baptist].

    • Paintings; Oil paintings; Storytelling; Myths; Legends; Biblical events; Women; Dancers; Clothing & dress; Headgear; Jewelry; Necklaces; Bracelets; Gestures; Pointing fingers; Posing; Supernatural; Saints; People associated with religion; Dead...

    • "As early as 1876, in the ornate, somewhat epicene sensuality of The Apparition, Moreau summarized many of the concepts that linked the melancholy beauty of the Pre-Raphaelites with his own native poetic tradition epitomized by Baudelaire's...
    • Boîte-en-Valise, open.

    • Boîte-en-Valise, open.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • "L'Androgyne" (The Hermaphrodite), frontispiece.

    • "L'Androgyne" (The Hermaphrodite), frontispiece.

    • Illustrations; Book illustrations; Frontispieces; Books; Literature; Catalogs; Exhibition catalogs; Inscriptions; Lettering (Layout features); Graphic design; Artists' signatures; Names; Heads (Anatomy); Faces; Cliffs; Rocks; Bodies of water

    • "L'Androgyne" (The Hermaphrodite) by Josephin Peladan, Part VIII of "L'Ethopee" or "La Decadence latine," frontispiece. Illustration from the catalogue of the Salon de la Rose Croix, Galerie Durand-Ruel, Paris, 1892.
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
    • La Mort (Death).

    • La Mort (Death).

    • Photographs; Graffiti; City & town life

    • "The Hungarian-born photographer Brassai (Gyula Halasz) moved to Paris in the early 1920s and became friendly with avant-garde figures such as Picasso. In the 1920s and 1930s he photographed the low life of the city, deeply influenced by a...
    • Girl from Figueres.

    • Girl from Figueres.

    • Paintings; Oil paintings; Women; Backs (Anatomy); Clothing & dress; Hairstyles; Hair ornaments; Leisure; Domestic life; Sewing; Scissors & shears; Thread; Sitting; Chairs; Seating furniture; Furniture; Architecture; Architectural elements;...

    • "The view from the balcony of the Dalis' second home in Figueres, at Carrer Monturiol 24. This was the painting Dali showed Picasso on his first visit to Paris in April 1926." (Caption); "The building, today numbered Monturiol, 10,...
    • Soft Construction with Boiled Beans (The Premonition of Civil War).

    • Soft Construction with Boiled Beans (The Premonition of Civil War).

    • Paintings; Oil paintings; Fantasy; Fear; Anxiety; Civil wars; War; Body parts; Heads (Anatomy); Arms (Anatomy); Legs; Hands; Fingers; Feet; Breasts; Beans; Clouds; Landscapes (Representations); Furniture; Furnishings; Drawers (Furniture components)

    • "This great painting was later renamed, with fitting opportunism, The Premonition of Civil War." (Caption); "The events of October 1934, and his scare in Barcelona, seem to have convinced Dali that civil war was a real possibility in...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Anthropometries of the Blue Age, performance, 9 March, 1960.

    • Anthropometries of the Blue Age, performance, 9 March, 1960.

    • Performance art; Performances; Painting; Body painting; Locomotion; Human locomotion; Artists; Men; Dandies; Women; Nudes; Audiences; Spectators; Orchestras; Music ensembles; Musicians; Sitting; Musical instruments; Clothing & dress; Suits...

    • "This performance exemplifies Klein's participation in the masculinist tradition of the dandy. The self-contained male, renouncing biological productivity (symbolized by the 'fecundity' of the paint-covered women launching themselves at...
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